Screening European Heritage

Chapter 1 The Politics and Sociology of Screening the Past: A National and Transnational Perspective

Chapter 2 British Flanders: Co-produced Television Drama and the Limits of a European Heritage

Chapter 3 Whose Heritage?: Noi credevamo (We Believed) and the National, Regional and Transnational Dynamics of the Risorgimento Film

Chapter 4 Towards World Heritage Cinema (Starting from the Negative)

Chapter 5 Rewriting History from the Margins: Diasporic Memory, Shabby Chic and Archival Footage

Chapter 6 Facing Dark Heritage: The Legacy of Nazi Perpetrators in German-Language Film

Chapter 7 Spectral Spanish Heritage: The Hauntology of <Emphasis Type="Italic">La noche de los girasoles</Emphasis> (<Emphasis Type="Italic">The Night of the Sunflowers</Emphasis>)

Chapter 8 Adapting Balzac in Jacques Rivette’s <Emphasis Type="Italic">Ne Touchez pas la hache</Emphasis> (<Emphasis Type="Italic">Don</Emphasis>’<Emphasis Type="Italic">t Touch the Axe</Emphasis>): Violence and the Post-Heritage Aesthetic

Chapter 9 The Ironic Gaze: Roots Tourism and Irish Heritage Cinema

Chapter 10 Historical Films in Europe: The Transnational Production, Circulation and Reception of ‘National’ Heritage Drama

Chapter 11 From ‘English’ Heritage to Transnational Audiences: Fan Perspectives and Practices and Why They Matter

Chapter 12 From ‘Auschwitz-land’ to <Emphasis Type="Italic">Banglatown</Emphasis>: Heritage Conflicts, Film and the Politics of Place

Chapter 13 Cinematic Pilgrimages: Postmodern Heritage Cinema