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Contemporary Masculinities in the UK and the US

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Table of Contents

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    Book Overview
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    Chapter 1 Contemporary Masculinities in the UK and the US: Between Bodies and Systems
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    Chapter 2 Modern-Day Mercenaries? Cowboys, Grey Men, and the Emotional Habitus
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    Chapter 3 Rugged Individualists and Systemic Coups: Imagining Mercenary Masculinities in The Dogs of War (1974)
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    Chapter 4 Privileged Crises in the Wake of 9/11: Universalizing Masculinity in Ian McEwan’s Saturday and Oliver Stone’s World Trade Center
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    Chapter 5 Does the Body Politic Have No Genitals? The Thick of It and the Phallic Nature of the Political Arena
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    Chapter 6 The Use of Celebrity Men in Anti-Trafficking and Ending Demand Interventions: Observations on the “Real Men Don’t Buy Girls” Public Service Campaign
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    Chapter 7 “Stand It Like a Man”: The Performance of Masculinities in Deadwood
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    Chapter 8 The Tragic “Complexity of Manhood”: Masculinity Formations and Performances in James Baldwin’s Giovanni’s Room
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    Chapter 9 “Guys Like Me Are a Dying Breed”: The Politics of Irish-American Masculinity in Recent Movies and TV Series
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    Chapter 10 White Supremacists, or the Emasculation of the American White Man
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    Chapter 11 Law, Language, and Post-Patriarchal Malaise in William Gaddis’s A Frolic of His Own
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    Chapter 12 Wall Street and Representations of Masculinity in Contemporary American Film and Fiction
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Title
Contemporary Masculinities in the UK and the US
Published by
Springer International Publishing, January 2017
DOI 10.1007/978-3-319-50820-7
ISBNs
978-3-31-950819-1, 978-3-31-950820-7
Editors

Stefan Horlacher, Kevin Floyd

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