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Contemporary Approaches to Adaptation in Theatre

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Cover of 'Contemporary Approaches to Adaptation in Theatre'

Table of Contents

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    Book Overview
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    Chapter 1 Kneehigh’s
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    Chapter 2 Collective Creation and ‘Historical Imagination’: Mabou Mines’s Devised Adaptations of History
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    Chapter 3 Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word
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    Chapter 4 ‘The Thrill of Doing it Live’: Devising and Performing Katie Mitchell’s International ‘Live Cinema’ Productions
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    Chapter 5 (Re)Mediating the Modernist Novel: Katie Mitchell’s Live Cinema Work
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    Chapter 6 The Spirit of the Source: Adaptation Dramaturgy and Stephen Crane’s The Red Badge of Courage
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    Chapter 7 Have We Found Anne Frank? A Critical Analysis of Theater Amsterdam’s Anne
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    Chapter 8 Adapting The Kite Runner: A Fidelity Project to Re-Imagine Afghan Aura
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    Chapter 9 Fanny Hill Onstage: TheatreState and April De Angelis’s Feminist Adaptations
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    Chapter 10 Hypertheatrical Engagement with Euripides’ Trojan Women: A Female ‘Writ of Habeas Corpus’
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    Chapter 11 A Tale of Two Jordans: Representing Syrian Refugees Before and After 2011
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    Chapter 12 Homer in Palestine
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    Chapter 13 The Neo-Futurists(’) Take on Eugene O’Neill’s Strange Interlude
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    Chapter 14 Theatrical Mash-up: Assembled Text as Adaptation in Medea/Macbeth/Cinderella
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    Chapter 15 Controversial Intentions: Adaptation as an Act of Iconoclasm in Rupert Goold and Ben Power’s Faustus (2004) and the Chapman Brothers’ Insult to Injury (2003)
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    Chapter 16 Multivalence: The Young Vic and a Postmodern Changeling, 2012
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    Chapter 17 Ensaio.Hamlet: Adaptation as Rehearsal as Essay
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Title
Contemporary Approaches to Adaptation in Theatre
Published by
Palgrave Macmillan UK, January 2018
DOI 10.1057/978-1-137-59783-0
ISBNs
978-1-137-59782-3, 978-1-137-59783-0, 978-1-137-59784-7
Editors

Kara Reilly

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