Shakespeare and Conflict

Chapter 1 General Introduction

Chapter 2 Introduction

Chapter 3 ‘What country, friends, is this?’ The Performance of Conflict in Shakespeare’s Drama of Migration

Chapter 4 Killing by the Book: Scenes from the Duel Ritual

Chapter 5 The War of ‘Nothings’ in The Tragedy of King Lear

Chapter 6 Conflict and Convergence in Shakespeare’s Wordplay

Chapter 7 Stage and Conflict in ‘The Phoenix and the Turtle’

Chapter 8 Introduction

Chapter 9 Translating Shakespeare in Sociolinguistic Conflicts: A Preliminary European Study

Chapter 10 Shakespeare and the Continental Avant-Garde through García Lorca’s El público (1930)

Chapter 11 Negotiating the Memory of the ‘People’s War’: Hamlet and the Ghosts of Welfare in A Diary for Timothy by Humphrey Jennings (1944–45)

Chapter 12 ‘IN THE FEARFUL ARMOUR’: Shakespeare, Heiner Müller and the Wall

Chapter 13 From Individual Conflict to Interlocking Conflicts: Performing The Merchant of Venice for New European Audiences

Chapter 14 Cut’n’mix King Lear: Second Generation and Asian-British Identities

Chapter 15 Introduction

Chapter 16 Work of National Importance: Shakespeare in Dartmoor

Chapter 17 ‘The play’s the thing’: Hamlet in a Romanian Wartime Political Prison

Chapter 18 ‘A tongue in every wound of Caesar’: Performing Julius Caesar behind Barbed Wire during the Second World War

Chapter 19 ‘And, by opposing, end them’: The Rhetoric of Translators’ Polemics

Chapter 20 Shakespeare’s Sonnets de profundis