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Law and Opera

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Cover of 'Law and Opera'

Table of Contents

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    Book Overview
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    Chapter 1 Law in the Opera, Law on the Opera, Law Around the Opera: A Multidisciplinary Approach
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    Chapter 2 Scalia/Ginsburg: The Rhythm of the US Federal Supreme Court
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    Chapter 3 Exile and Identity: Findings of Fact and Opinions of Law, in Bellini’s La Straniera
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    Chapter 4 Fiat iustitia et pereat mundus . The Tragic Conflicts of the Judge in I Due Foscari
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    Chapter 5 “That May Be Japanese Law … but Not in My Country!” Marriage, Divorce, and Private International Law in Giacomo Puccini’s Madama Butterfly
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    Chapter 6 Crime, Prosecution, and Justice in Giuseppe Verdi’s Otello
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    Chapter 7 The Marriage of Figaro and the Sunset of Ancien Régime Legacy on Modern Legal Culture
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    Chapter 8 Legal Issues in Italian Opera
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    Chapter 9 Le Nozze di Wolfgang: About the Meaning of Marriage in Mozart’s Operas
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    Chapter 10 Criminal Law in Giacomo Puccini Operatic Production: The Crimes Against Persons in Tosca
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    Chapter 11 The “Gesualdo Case” in Contemporary Melodrama
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    Chapter 12 Law and Fate in Norma , I Puritani , Aida and Tosca
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    Chapter 13 Mozart and the Concept of Equality
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    Chapter 14 Revenge Between Legal and Social Norms in Cavalleria Rusticana
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    Chapter 15 Paternal Justice in Giuseppe Verdi’s Operas
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    Chapter 16 Music and Law: Law in Lyrical Operas. Gianni Schicchi by Giacomo Puccini. The Harmony of the System
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    Chapter 17 The Voice of the Opera Singer and Its Protection: Another Look at the Maria Callas Case
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    Chapter 18 Critical Edition of an Opera: A New Look for an Old Lady? The Boundaries of Copyright Protection in the EU Countries
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    Chapter 19 A ‘Stolen’ Theatre on Rue de la Loi: The Opéra After Thermidor
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    Chapter 20 What Is Allowed in the Opera: Law as the Borderline of Artistic Experiment
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    Chapter 21 The Italian Scrittura Teatrale : A Peculiar Case of Unwritten Terms Integrating Contracts
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    Chapter 22 Der Ring des Nibelungen : From a Criminal Law Perspective
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    Chapter 23 Law, Opera, and the Baroque Mentality Contradictions, Paradoxes, and Dialogues
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    Chapter 24 Beethoven’s Ninth and the Quest for a European Identity: A Law and Music Perspective
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    Chapter 25 The Current International and Musical Society
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    Chapter 26 Nemorino’s Plagiarism: Copyright and Circulation of Texts in the Golden Age of Italian Opera
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Title
Law and Opera
Published by
Springer International Publishing, January 2018
DOI 10.1007/978-3-319-68649-3
ISBNs
978-3-31-968649-3, 978-3-31-968648-6
Editors

Filippo Annunziata, Giorgio Fabio Colombo

X Demographics

X Demographics

The data shown below were collected from the profiles of 4 X users who shared this research output. Click here to find out more about how the information was compiled.
Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 6 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 6 100%

Demographic breakdown

Readers by professional status Count As %
Other 1 17%
Lecturer 1 17%
Student > Doctoral Student 1 17%
Professor 1 17%
Professor > Associate Professor 1 17%
Other 0 0%
Unknown 1 17%
Readers by discipline Count As %
Social Sciences 2 33%
Arts and Humanities 2 33%
Philosophy 1 17%
Unknown 1 17%