Terry Pratchett's Narrative Worlds

Chapter 1 Shedding the ‘Light Fantastic’ on Terry Pratchett’s Narrative Worlds: An Introduction

Chapter 2 Be a Witch, Be a Woman: Gendered Characterisation of Terry Pratchett’s Witches

Chapter 3 ‘Not the Most Stable of Creatures’: Female Monstrosity and Gender Negotiations in the Character of Angua von Uberwald

Chapter 4 ‘There Is No Race So Wretched That There Is Not Something Out There That Cares for Them’: Multiculturalism, Understanding, Empathy and Prejudice in Discworld

Chapter 5 And the World Continues to Spin…: Secularism and Demystification in Good Omens

Chapter 6 (Non-)Formal Education in Terry Pratchett’s Discworld Novels: Mort’s Apprenticeship, Tiffany’s Coming of Age, Susan’s Learning Path and the Unseen University

Chapter 7 Learning Relativism Through Humour, Play and the Shift of Viewpoint in the Truckers Trilogy

Chapter 8 Seriously Relevant: Parody, Pastiche and Satire in Terry Pratchett’s Discworld Novels

Chapter 9 ‘At Times Like This It’s Traditional That a Hero Comes Forth’: Romance and Identity in Terry Pratchett’s Guards! Guards!

Chapter 10 Fantasy as Belief and Its Happenings in Terry Pratchett’s Hogfather

Chapter 11 Metamodern Approaches in Johnny and the Dead (1993) and Nation (2008)

Chapter 12 Feeling the Potential of Elsewhere: Terry Pratchett’s Nation in Theatre

Chapter 13 Where Discourse Meets Discworld: Labyrinths, Humour and the Neo-Baroque in Terry Pratchett’s Discworld Stories