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Handbook of State Aid for Film

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Cover of 'Handbook of State Aid for Film'

Table of Contents

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    Book Overview
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    Chapter 1 Why Study State Aid for Film? A Necessary Clarification
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    Chapter 2 State Aid for Film: A Synoptic Overview of Current Issues
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    Chapter 3 The Economics of Film Financing: An Introduction
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    Chapter 4 Film Finance: The Role of Private Investors in the European Film Market
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    Chapter 5 Film Governance in the EU: Caught in a Loop?
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    Chapter 6 Governance, Public Interest, and Public Film Funding: An Integrative Theoretical Framework
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    Chapter 7 State Subsidies to Film and Their Effects at the Box Office: Theorizing and Measuring Why Some Genres Do Better than Others
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    Chapter 8 How Financing Shapes a Film Project: Applying Organizational Economics to a Case Study in Norway
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    Chapter 9 How Hollywood Applies Industrial Strategies to Counter Market Uncertainty: The Issue of Financing and Exhibition
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    Chapter 10 Public Funding for Film and Audio-Visual Works in Europe: Key Industry Statistics 2010–2014
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    Chapter 11 The European Commission’s Approach to Film Funding: Striking a Difficult Balance
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    Chapter 12 Supporting Film Distribution in Europe: Why Is Overcoming National Barriers so Difficult?
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    Chapter 13 Film Funding Law in the European Union: Discussing the Rationale and Reviewing the Practice
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    Chapter 14 Film Funding in Australia: Recent History and Empirical Analysis
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    Chapter 15 Exploring the “Ecosystem” and Principles of Austria’s Film Subsidy Schemes: Is Austria a “Best-Practice” Model for a Successful Film Policy?
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    Chapter 16 Film Subsidies, History, and the “Economization of Culture” in Austria: An Expert Interview
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    Chapter 17 Public Film Funding Under a Federalist Paradigm: A Synoptic Analysis of State Aid for Film in Germany
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    Chapter 18 France’s Protected and Subsidised Film Industry: Is the Subsidy Scheme Living Up to Its Promises?
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    Chapter 19 Government Failure: The Ineffectiveness of Italian State Subsidies to Film
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    Chapter 20 Evaluating the Effects of Protectionism on the Film Industry: A Case Study Analysis of Korea
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    Chapter 21 Diversifying Public Film Funding Policies in Latin America
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    Chapter 22 Feature Film Funding Between National and International Priorities: How Does New Zealand Bridge the Gap?
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    Chapter 23 Regulating the Mandatory Participation of TV Networks in Financing the Movie Industry: The Case of Spain
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    Chapter 24 Public Film Policy and the Rise of Economic Principles: The Case of Switzerland
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    Chapter 25 United Kingdom: Film Funding, the “Corporate Welfare System” and Its Discontents
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    Chapter 26 Beyond the “Studio System”: Public Support for Films in the United States
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    Chapter 27 Evidencing the Economics of Film Festival Funding: Do Government Subsidies Help?
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    Chapter 28 Gender Inequality for Directors in the European Film Industry: Focus on Austria
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    Chapter 29 “Avant-Garde Film” Goes Digital Video: How Does the United States Fund Digital Video Art and Experimental Filmmaking?
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    Chapter 30 Movie Analytics and the Future of Film Finance. Are Oscars and Box Office Revenue Predictable?
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    Chapter 31 An Irish Film Industry or a Film Industry in Ireland? The Paradoxes of State Aid
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    Chapter 32 Tax Incentive Schemes for Film Production: A Pivotal Tool of Film Policy?
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    Chapter 33 TV Film Financing in the Era of “Connected TV”: How Do “Legacy” Broadcasters Respond to Market Changes?
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    Chapter 34 Crowdfunding Movies: A Business Model Analysis from Strategic Management Studies
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Title
Handbook of State Aid for Film
Published by
Springer International Publishing, January 2018
DOI 10.1007/978-3-319-71716-6
ISBNs
978-3-31-971716-6, 978-3-31-971714-2
Editors

Paul Clemens Murschetz, Roland Teichmann, Matthias Karmasin

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X Demographics

The data shown below were collected from the profiles of 7 X users who shared this research output. Click here to find out more about how the information was compiled.
Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 13 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 13 100%

Demographic breakdown

Readers by professional status Count As %
Lecturer 2 15%
Student > Master 2 15%
Student > Bachelor 1 8%
Student > Ph. D. Student 1 8%
Professor 1 8%
Other 2 15%
Unknown 4 31%
Readers by discipline Count As %
Arts and Humanities 3 23%
Economics, Econometrics and Finance 3 23%
Social Sciences 2 15%
Business, Management and Accounting 1 8%
Unknown 4 31%