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The Topos of Music

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Cover of 'The Topos of Music'

Table of Contents

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    Book Overview
  2. Altmetric Badge
    Chapter 1 What is Music About?
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    Chapter 2 Topography
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    Chapter 3 Musical Ontology
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    Chapter 4 Models and Experiments in Musicology
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    Chapter 5 Navigation
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    Chapter 6 Denotators
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    Chapter 7 Local Compositions
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    Chapter 8 Symmetries and Morphisms
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    Chapter 9 Yoneda Perspectives
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    Chapter 10 Paradigmatic Classification
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    Chapter 11 Orbits
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    Chapter 12 Topological Specialization
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    Chapter 13 Global Compositions
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    Chapter 14 Global Perspectives
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    Chapter 15 Global Classification
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    Chapter 16 Classifying Interpretations
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    Chapter 17 Esthetics and Classification
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    Chapter 18 Predicates
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    Chapter 19 Topoi of Music
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    Chapter 20 Visualization Principles
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    Chapter 21 Metrics and Rhythmics
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    Chapter 22 Motif Gestalts
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    Chapter 23 Critical Preliminaries
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    Chapter 24 Harmonic Topology
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    Chapter 25 Harmonic Semantics
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    Chapter 26 Cadence
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    Chapter 27 Modulation
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    Chapter 28 Applications
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    Chapter 29 Melodic Variation by Arrows
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    Chapter 30 Interval Dichotomies as an Expression of Contrast
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    Chapter 31 Modeling Counterpoint by Local Symmetries
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    Chapter 32 Local and Global Performance Transformations
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    Chapter 33 Performance Fields
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    Chapter 34 Initial Sets and Initial Performances
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    Chapter 35 Hierarchies and Performance Scores
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    Chapter 36 Taxonomy of Expressive Performance
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    Chapter 37 Performance Grammars
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    Chapter 38 Stemma Theory
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    Chapter 39 Operator Theory
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    Chapter 40 Architecture
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    Chapter 41 The RUBETTE ® Family
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    Chapter 42 Performance Experiments
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    Chapter 43 Analysis of Analysis
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    Chapter 44 Differential Operators and Regression
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    Chapter 45 Principles of Music Critique
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    Chapter 46 Critical Fibers
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    Chapter 47 Unfolding Geometry and Logic in Time
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    Chapter 48 Local and Global Strategies in Composition
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    Chapter 49 The Paradigmatic Discourse on presto ®
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    Chapter 50 Case Study I:“Synthesis” by Guerino Mazzola
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    Chapter 51 Object-Oriented Programming in OpenMusic
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    Chapter 52 Historical and Theoretical Prerequisites
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    Chapter 53 Estimation of Resolution Parameters
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    Chapter 54 The Case of Counterpoint and Harmony
Overall attention for this book and its chapters
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Title
The Topos of Music
Published by
Birkhäuser Basel, December 2012
DOI 10.1007/978-3-0348-8141-8
ISBNs
978-3-03-489454-8, 978-3-03-488141-8
Authors

Mazzola, Guerino

X Demographics

X Demographics

The data shown below were collected from the profiles of 20 X users who shared this research output. Click here to find out more about how the information was compiled.
Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 64 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Australia 2 3%
Finland 2 3%
United States 2 3%
Brazil 1 2%
United Kingdom 1 2%
France 1 2%
Unknown 55 86%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 15 23%
Student > Master 10 16%
Other 8 13%
Researcher 7 11%
Student > Bachelor 5 8%
Other 10 16%
Unknown 9 14%
Readers by discipline Count As %
Arts and Humanities 14 22%
Computer Science 14 22%
Mathematics 10 16%
Engineering 6 9%
Design 2 3%
Other 8 13%
Unknown 10 16%