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Rural Cinema Exhibition and Audiences in a Global Context

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Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Rural Cinema Exhibition and Audiences in a Global Context—Not Just a Slower Transition to Modernity
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    Chapter 2 The Use of Geographical Categories in Cinema Studies: An Ontological Examination
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    Chapter 3 Kanda’s Grounds and the Ritual Experience of Rural Cinema in Narok, Kenya
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    Chapter 4 The Business of ‘Wholesome Entertainment’: The Mascioli Film Circuit of Northeastern Ontario
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    Chapter 5 Spaces In-Between: The Railway and Early Cinema in Rural, Western Canada
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    Chapter 6 Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire’s North Country, 1896–1917
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    Chapter 7 Oral Memories of Cinema-Going in Rural Italy of the 1950s
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    Chapter 8 Belgian Film Culture Beyond the Big City: Cinema-Going in the Provincial and Rural Periphery of Antwerp
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    Chapter 9 The Social Experience of Going to the Movies in the 1930s–1960s in a Small Texas Border Town: Moviegoing Habits and Memories of Films in Laredo, Texas
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    Chapter 10 The Social Geography of ‘Going Out’: Teenagers and Community Cinema in Rural Australia
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    Chapter 11 Projecting Modernity: Sol Plaatje’s Touring Cinema Exhibition in 1920s South Africa
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    Chapter 12 Controlling Rural Cinemagoing by Appropriating a Film Format: The Catholic Adventure of ‘Pathé-Rural’ in Interwar France
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    Chapter 13 UNESCO, Mobile Cinema, and Rural Audiences: Exhibition Histories and Instrumental Ideologies of the 1940s
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    Chapter 14 Reconsidering Post-Revolutionary Cultural Change: Rural Film Projection Teams in Shaanxi Province, 1949–1956
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    Chapter 15 Silence under the Linden Tree: Rural Cinema-Going in Czechoslovakia in the 1950s and 1960s
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    Chapter 16 Language and Cultural Nearness: Film Programming Strategies and Audience Preferences in Big Cities and Small Towns in the Netherlands 1934–1936
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    Chapter 17 Post-war Thai Cinema: Audiences and Film Style in a Divided Nation
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    Chapter 18 Youth, Leisure, and Modernity in the Film One Summer of Happiness (1951): Exploring the Space of Rural Film Exhibition in Swedish Post-war Cinema
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    Chapter 19 Cine Centímetro: Memories and Cinemagoing Practices in an MGM Replica Cinema in the Rio de Janeiro Countryside
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Title
Rural Cinema Exhibition and Audiences in a Global Context
Published by
Springer International Publishing, January 2018
DOI 10.1007/978-3-319-66344-9
ISBNs
978-3-31-966343-2, 978-3-31-966344-9
Editors

Daniela Treveri Gennari, Danielle Hipkins, Catherine O'Rawe

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Country Count As %
Unknown 1 100%

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Readers by professional status Count As %
Student > Bachelor 1 100%
Readers by discipline Count As %
Arts and Humanities 1 100%