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The Palgrave Handbook of the Philosophy of Film and Motion Pictures

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Cover of 'The Palgrave Handbook of the Philosophy of Film and Motion Pictures'

Table of Contents

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    Book Overview
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    Chapter 1 Film Ontology: Extension, Criteria and Candidates
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    Chapter 2 Medium Specificity
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    Chapter 3 The Moving Image
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    Chapter 4 The Art of Cinematography
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    Chapter 5 Silly Questions and Arguments for the Implicit, Cinematic Narrator
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    Chapter 6 Narrative and the Moving Image
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    Chapter 7 On Rhythm in Film Editing
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    Chapter 8 Animation
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    Chapter 9 Sound in Film
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    Chapter 10 What Is a Screenplay?
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    Chapter 11 Analytic Philosophy of Film: (Contrasted with Continental Film Theory)
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    Chapter 12 When the Twain Shall Meet: On the Divide Between Analytic and Continental Film Philosophy
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    Chapter 13 The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures
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    Chapter 14 Ideology and Experience: The Legacy of Critical Theory
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    Chapter 15 Stanley Cavell: What Becomes of People on Film?
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    Chapter 16 Film Art from the Analytic Perspective
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    Chapter 17 Cognitive Theory of the Moving Image
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    Chapter 18 Aesthetic Criticism
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    Chapter 19 Poststructuralism and Film
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    Chapter 20 Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain Between Illustrations and Thought Experiments
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    Chapter 21 Contemporary Philosophical Filmmaking
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    Chapter 22 Filmosophy/Film as Philosophy
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    Chapter 23 The Auteur Theory in the Age of the Mini-Series
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    Chapter 24 The Question of Poetic Cinema
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    Chapter 25 Avant-Garde Films as Philosophy
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    Chapter 26 Show and Tell: The Identification of Documentary Film
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    Chapter 27 The Autobiographical Documentary
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    Chapter 28 Feminist Philosophy of Film
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    Chapter 29 Race in Film
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    Chapter 30 How Do We Look So Far? Notes Toward a Queer-Film Philosophy
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    Chapter 31 Film, Art, and Pornography
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    Chapter 32 Propaganda and the Moving Image
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    Chapter 33 Film and Fine Art: Automatism, Automata and “The Myth of Total Cinema” in The Red Shoes and The Tales of Hoffmann
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    Chapter 34 The Sonic Art of Film and the Sonic Arts in Film
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    Chapter 35 Adaptation, Translation, and Philosophical Investigation in Adaptation
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    Chapter 36 Imagination and Film
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    Chapter 37 Empathy and Sympathy: Two Contemporary Models of Character Engagement
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    Chapter 38 Affect and Motion Pictures
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    Chapter 39 Psychoanalysis and the Philosophy of Film
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    Chapter 40 The Television Medium
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    Chapter 41 Videogames and Film
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    Chapter 42 Virtual Reality as an Emerging Art Medium and Its Immersive Affordances
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Title
The Palgrave Handbook of the Philosophy of Film and Motion Pictures
Published by
Springer International Publishing, November 2019
DOI 10.1007/978-3-030-19601-1
ISBNs
978-3-03-019600-4, 978-3-03-019601-1
Authors

Moura, Vítor

Editors

Carroll, Noël, Di Summa, Laura T., Loht, Shawn

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 40 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 40 100%

Demographic breakdown

Readers by professional status Count As %
Student > Master 8 20%
Student > Ph. D. Student 8 20%
Lecturer 3 8%
Student > Bachelor 3 8%
Student > Doctoral Student 1 3%
Other 5 13%
Unknown 12 30%
Readers by discipline Count As %
Arts and Humanities 16 40%
Philosophy 4 10%
Social Sciences 3 8%
Computer Science 2 5%
Design 2 5%
Other 1 3%
Unknown 12 30%