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The History of British Women’s Writing, 1750–1830

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Cover of 'The History of British Women’s Writing, 1750–1830'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Defining ‘Women’s Writing’; or, Writing ‘The History’
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    Chapter 2 Women and Print Culture, 1750–1830
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    Chapter 3 Women’s Travel Writing, 1750–1830
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    Chapter 4 Bluestocking Women and the Negotiation of Oral, Manuscript, and Print Cultures
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    Chapter 5 ‘[T]o strike a little out of a road already so much beaten’: Gender, Genre, and the Mid-Century Novel
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    Chapter 6 Anglophone Welsh Women’s Poetry 1750–84: Jane Cave and Anne Penny
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    Chapter 7 The Poem that Ate America: Helen Maria Williams’s Ode on the Peace (1783)
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    Chapter 8 Picturing Benevolence against the Commercial Cry, 1750–98: Or, Sarah Fielding and the Secret Causes of Romanticism
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    Chapter 9 Women Writers and Abolition
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    Chapter 10 Charlotte Smith, Mary Wollstonecraft, and the Romance of Real Life
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    Chapter 11 Charlotte Smith, Mary Robinson and the First Year of the War with France
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    Chapter 12 The Porter Sisters, Women’s Writing, and Historical Fiction
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    Chapter 13 Joanna Baillie’s Emblematic Theatre
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    Chapter 14 National Internationalism: Women’s Writing and European Literature, 1800–30
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    Chapter 15 Jane Austen’s Critical Response to Women’s Writing: ‘a good spot for fault-finding’
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    Chapter 16 Mary Tighe and the Coterie of Women Poets in Psyche
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    Chapter 17 Influence, Anxiety, and Erasure in Women’s Writing: Romantic becomes Victorian
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Title
The History of British Women’s Writing, 1750–1830
Published by
Berghahn Books, January 2010
DOI 10.1057/9780230297012
ISBNs
978-1-349-36198-4, 978-0-230-29701-2, 978-0-230-55071-1, 978-1-137-35039-8
Authors

Bicks, Caroline, Summit, Jennifer, Ballaster, Rosalind, Labbe, Jacqueline M., Suzuki, Mihoko, Watt, Diane, Herbert McAvoy, Liz, Batchelor, Jennie, Kaplan, Cora, Caestecker, Frank, Moore, Bob

Editors

J. Labbe

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