Conservation of Modern Oil Paintings

Table of Contents

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   Book Overview
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   Chapter 1 Challenges in Research: Connecting Scientific Analysis with Conservation Practice
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   Chapter 2 Evaluating Cleaning Systems for Use on Water Sensitive Modern Oil Paints: A Comparative Study
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   Chapter 3 Pigment Surface Treatments: 20th and 21st Century Industrial Techniques and Strategies for their Detection
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   Chapter 4 Meet the Future: The Creation of New Pigments
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   Chapter 5 Zinc Oxide in Oil-Based House Paint: Insights from a Paint Chemist’s Notebook Dated 1949
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   Chapter 6 A Glimpse into the House and Decorative Paint Market in Norway During World War I (1914–1918)
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   Chapter 7 Approaches to the Identification of Royal Talens ETA (Emulsion) Paint in Objects of Art
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   Chapter 8 Synthetic Organic Pigments in Talens Oil Paint 1920–1950 – The Case of Vermillion imit
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    Chapter 9 Ellsworth Kelly: The Studio and Beyond
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    Chapter 10 A New Vocabulary of Color: Bocour Oil Paints and Barnett Newman
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    Chapter 11 Analysis of Modern Paints and Conservation at the Clyfford Still Museum
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    Chapter 12 Pigments of Soviet Artists in the 1950s – Late 1970s
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    Chapter 13 A View Through the Meander: A Conservation Study of Knifer’s Oil Paintings from the 1960s
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    Chapter 14 Preservation of Russian Abstract Art of the Second Part of the Twentieth Century
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    Chapter 15 Investigating Colour Changes in Red and Blue Paints – A Preliminary Study of Art Materials and Techniques in Edvard Munch’s Old Man in Warnemünde (1907)
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    Chapter 16 Aspects of Lovis Corinth’s Painting Technique in His Late Work: Working Process and Colour Structure Captured in Paint and on Film
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    Chapter 17 Oil Paint Straight from the Tube: Paint-Specific Deterioration in Works by Alexis Mérodack-Jeaneau, 1910–1913
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    Chapter 18 Picasso 1917: An Insight into the Effects of Ground and Canvas in the Failure Mechanisms in Four Artworks
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    Chapter 19 Investigation on the Speckles Syndrome Affecting Late 1920s Oil Paintings by René Magritte
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    Chapter 20 Examination of Paint Delamination in C’est grace à nous by Asger Jorn
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    Chapter 21 A Synchrotron Photoluminescence Microscopy Study into the Use and Degradation of Zinc White in ‘The Woodcutters’ by Bart van der Leck
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    Chapter 22 ‘Breaking Waves’. The Relation Between Zinc-Oxide Degradation and Extreme Delamination from the Panel Support of Beach Scene, by J.E.H. Akkeringa (1861–1942)
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    Chapter 23 Efflorescence on the Paintings of Edwin Austin Abbey: Examination, Analysis, and Cleaning of Surface Bloom on The Spirit of Light
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    Chapter 24 A Study of Softening and Liquefying Oil Paint on Womenizer by Alex Janvier
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    Chapter 25 The Deterioration and Treatment of Some Late Paintings by Paul-Émile Borduas
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    Chapter 26 Colors Before Zero: Commercial Alkyd-Oil Enamel Paints in Early Reliefs by Jan J. Schoonhoven
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    Chapter 27 Some Considerations When Cleaning Robert Ryman’s Oil Paint(ings)
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    Chapter 28 Challenges of Surface Cleaning Paintings by Asger Jorn (1914–1973): An Inventory of Existing Practice
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    Chapter 29 Decision-Making Processes Regarding the Treatment of Modern Oil Paintings (1950s–Present) Exhibiting Paint Dripping and Oil Exudates
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    Chapter 30 Between Rejection, Ignorance, and Preference: The History and Dilemma of Modern Double-Sided (Recto/Verso) Paintings with Regard to Issues of Conservation and Presentation
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    Chapter 31 Time-Gated Photoluminescence Microscopy as an Emerging Method for the Study of Paint Cross-Sections
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    Chapter 32 Mechanical and Moisture Sorption Properties of Commercial Artists’ Oil Paint by Dynamic Mechanical Thermal Analysis (DMA), Nanoindentation, and Dynamic Vapour Sorption (DVS)
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    Chapter 33 A Preliminary Investigation into the Behavior of Modern Artists’ Oil Paints in a Hot and Humid Climate
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    Chapter 34 Inside the Forger’s Oven: Identification of Drying Products in Oil Paints During and After Accelerated Drying with Increased Temperatures
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    Chapter 35 The Influence of Metal Stearates on the Water Sensitivity of Modern Oil Paints
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    Chapter 36 The Rate of Solvent Action on Modern Oil Paint
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    Chapter 37 Water-Sensitivity in Modern Oil Paintings: Trends in Phenomena and Treatment Options
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    Chapter 38 Modern Oil Paintings in Tate’s Collection: A Review of Analytical Findings and Reflections on Water-Sensitivity
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    Chapter 39 Analytical Study to Monitor the Effectiveness of a Combined Liquid-Dispensing and Micro-aspiration System for the Cleaning of Modern Oil Paintings
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    Chapter 40 Ketone Resins Varnishes on Canvas Paintings from the Collection of the Munch Museum: An Interdisciplinary Transnational Research Project
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    Chapter 41 Designing Paint Mock-Ups for a Study of Novel Surface Cleaning Techniques for Munch’s Unvarnished Aula Paintings
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    Chapter 42 Analysis of Cleaning Efficacy and Clearance of Silicone-Based Pickering-Type Emulsions Used in the Cleaning of Water-Miscible Oil Paints
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    Chapter 43 Improving the Surface Cleaning of Water Sensitive Oil Paint by Use of Alternative Application Methods
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    Chapter 44 Evolon® CR Microfibre Cloth as a Tool for Varnish Removal
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    Chapter 45 Can Cellulose Beads Save The Circling of the Planets ? Cellulose-Based Consolidating Filler to Stabilise Lifted Brittle Flakes on a Large Painting