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Contemporary Popular Music Studies

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Cover of 'Contemporary Popular Music Studies'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Defining popular music: Towards a “historical melodics”
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    Chapter 3 Popular music studies in Kassel and the Germanies – looking back, looking ahead
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    Chapter 4 Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century
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    Chapter 5 Popular song and literary scholarship: Interactions between criticism and artistic creation
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    Chapter 6 Women who rock: The memoir project
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    Chapter 7 Group listening, a typical practice of popular music applied to musician training
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    Chapter 8 Curricular orientations of secondary school specializing in music in Argentina: Input for inserting popular music into educational institutions
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    Chapter 9 Studying listening to recorded popular music: A methodological overview and some suggestions for future research
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    Chapter 10 Pathways of pop: Arts and education policy, studieförbund and genre hierarchies
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    Chapter 11 Golfos, punkis, alternativos, indignados: Subterranean traditions of youth in Spain, 1960 ̶ 2015
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    Chapter 12 Heart of glass: Gender and domination in the early days of punk in Portugal
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    Chapter 13 One struggle, one fight, all day, all night: Punk cartographies in the subway of São Paulo and Lisbon
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    Chapter 14 On analyzing EDM DJ sets: Problems and perspectives for a sociology of sound
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    Chapter 15 An ethnographic investigation into the culture and people of the UK Free Party (illegal rave) scene in the twenty first century
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    Chapter 16 Collaboration in semi-professional music groups
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    Chapter 17 Samba batucada : Flexibility and integration
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    Chapter 18 “Sing to the Lord a new song”: The interaction of religion and popular music in the case of Posaunenchor in the protestant church in Germany
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    Chapter 19 Musical formation of popular singers in Brazil: A case study with singers who sing in pairs música sertaneja – Brazilian country music
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    Chapter 20 Rock music videos in Serbia since the 1990s: The curious case of Jarboli
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    Chapter 21 Queen Katy Patra represents ancient Egypt in pop music
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    Chapter 22 Analysing the voice in popular music with categories of “voice”
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    Chapter 23 Researching popular music through transmedia festivals
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    Chapter 24 The underground, dispossession and positionality in Greek experimental music
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    Chapter 25 Just for the fun of it? Contemporary strategies for making, distributing and gifting music
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    Chapter 26 Towards posthegemonic popular music studies
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    Chapter 27 “Party music”, expression of identities, aesthetics and power in the African diaspora
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Title
Contemporary Popular Music Studies
Published by
Springer Fachmedien Wiesbaden, March 2019
DOI 10.1007/978-3-658-25253-3
ISBNs
978-3-65-825252-6, 978-3-65-825253-3
Editors

Dumnić Vilotijević, Marija, Medić, Ivana

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