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Film, Art, New Media: Museum Without Walls?

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Cover of 'Film, Art, New Media: Museum Without Walls?'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: A Cosmology of Contingency
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    Chapter 2 The Artist’s Studio: The Affair of Art and Film
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    Chapter 3 Cézanne and the Lumière Brothers
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    Chapter 4 The Medium is a Muscle: Abstraction in Early Film, Dance, Painting
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    Chapter 5 Vertov and the Line: Art, Socialization, Collaboration
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    Chapter 6 Quoting Motion: The Frame, the Shot, and Digital Video
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    Chapter 7 Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema
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    Chapter 8 Poetic Density, Ontic Weight: Post-Photographic Depiction in Victor Erice’s Dream of Light
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    Chapter 9 Of the Face, In Reticence
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    Chapter 10 Remapping the Rural: The Ideological Geographies of Strapaese
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    Chapter 11 Artistic Encounters: Jean-Marie Straub, Danièle Huillet, and Cézanne
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    Chapter 12 Two-Way Mirror: Francis Bacon and the Deformation of Film
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    Chapter 13 A Disturbing Presence? Scenes from the History of Film in the Museum
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    Chapter 14 Elegy, Eulogy, and the Utopia of Restoration—Alexander Sokurov’s Russian Ark
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    Chapter 15 Museums as Laboratories of Change: The Case for the Moving Image
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    Chapter 16 Right Here … Right Now … Art Gone Live!
Attention for Chapter 5: Vertov and the Line: Art, Socialization, Collaboration
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Chapter title
Vertov and the Line: Art, Socialization, Collaboration
Chapter number 5
Book title
Film, Art, New Media
Published by
Palgrave Macmillan UK
DOI 10.1057/9781137026132_5
Book ISBNs
978-1-349-32358-6, 978-1-137-02613-2
Authors

MacKay, John

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