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Adorno and performance

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Cover of 'Adorno and performance'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction to Adorno and Performance
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    Chapter 2 Of Adorno’s Beckett
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    Chapter 3 Thoughts Which Do Not Understand Themselves: On Adorno’s Dream Notes
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    Chapter 4 Performativization and the Rescue of Aesthetic Semblance
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    Chapter 5 On the “Difference between Preaching an Ideal and Giving Artistic Form to the Historical Tension Inherent in It”
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    Chapter 6 Cooking up a Theory of Performing
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    Chapter 7 Thinking Performance in Neoliberal Times: Adorno Encounters Neutral Hero
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    Chapter 8 Pleasing Shapes and Other Devilry: An Adornian Investigation of La Pocha Nostra Praxis
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    Chapter 9 Thinking — Mimesis — Pre-Imitation: Notes on Art, Philosophy, and Theatre in Adorno’s Aesthetic Theory
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    Chapter 10 On the Theatricality of Art
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    Chapter 11 Adorno and Performance: Thinking with the Movement of Language
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    Chapter 12 What Is Adorno Doing? Immanent Critique as Philosophical Performance
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    Chapter 13 The Vanity of Happiness: Adorno and Self-Performance
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    Chapter 14 Writing as Life Performed
Attention for Chapter 8: Pleasing Shapes and Other Devilry: An Adornian Investigation of La Pocha Nostra Praxis
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Chapter title
Pleasing Shapes and Other Devilry: An Adornian Investigation of La Pocha Nostra Praxis
Chapter number 8
Book title
Adorno and Performance
Published by
Palgrave Macmillan UK, January 2014
DOI 10.1057/9781137429889_8
Book ISBNs
978-1-349-49195-7, 978-1-137-42988-9
Authors

Stephen Robins

Editors

Will Daddario, Karoline Gritzner

View on publisher site

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