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Žižek and Performance

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Cover of 'Žižek and Performance'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Performing Žižek: Hegel, Lacan, Marx, and the Parallax View
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    Chapter 2 The Lacanian Performative: Austin after Žižek
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    Chapter 3 Kantor’s Symptom or Grotowski’s Fantasy? Towards a Theatre of the Political
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    Chapter 4 Who’s Watching? Me!: Theatrality, Spectatorship, and the Žižekian Subject
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    Chapter 5 Žižek’s Death Drive, the Intervention of Grace, and the Wagnerian Performative: Conceptualising the Director’s Subjectivity
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    Chapter 6 ‘Even if we do not take things seriously … we are still doing them’: Disidentification, Ideology, and Queer Performance
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    Chapter 7 The Performative Constitution of Liberal Totalitarianism on Facebook
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    Chapter 8 Enjoyment as a Theatrical Object: The Actor as Neighbour
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    Chapter 9 ‘There are more of you than there are of us’: Forced Entertainment and the Critique of the Neoliberal Subject
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    Chapter 10 Ideology and the True/False Performance of Heritage
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    Chapter 11 Getting Involved with the Neighbour’s Thing: Žižek and the Participatory Performance of Reactor (UK)
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    Chapter 12 Dancing with Žižek: Sublime Objets and the Hollywood Dance Film
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    Chapter 13 ‘Actual Idiocy’ and the Sublime Object of Susan Boyle
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    Chapter 14 Theatre’s Immediacy: Notes on Performing ‘with’ Žižek
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    Chapter 15 Collaboration, Violence, and Difference
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    Chapter 16 The Tickling Object: On Žižek and Comedy
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    Chapter 17 Notes on Performing, Its Frame, and Its Gaze
Attention for Chapter 16: The Tickling Object: On Žižek and Comedy
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Chapter title
The Tickling Object: On Žižek and Comedy
Chapter number 16
Book title
Žižek and Performance
Published by
Palgrave Macmillan, London, January 2014
DOI 10.1057/9781137403193_16
Book ISBNs
978-1-349-48913-8, 978-1-137-40319-3
Authors

Broderick Chow

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