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The Palgrave Handbook of Affect Studies and Textual Criticism

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Cover of 'The Palgrave Handbook of Affect Studies and Textual Criticism'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Affect and Texts: Contemporary Inquiry in Historical Context
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    Chapter 2 Affect and Emotion: James, Dewey, Tomkins, Damasio, Massumi, Spinoza
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    Chapter 3 Affect Studies and Cognitive Approaches to Literature
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    Chapter 4 The Bio-Cultural Evolution of Language and Prosocial Emotions
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    Chapter 5 Trust in Theater
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    Chapter 6 Social Identity: Categorization, Cognition, and Affect
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    Chapter 7 Affective Aversion, Ethics, and Fiction
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    Chapter 8 Affect and Narratology
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    Chapter 9 The Turn to Affect: Emotions Without Subjects, Causality Without Demonstrable Cause
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    Chapter 10 Are There States of Mind Which We Can Call “Inner Sensuousness”?
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    Chapter 11 Affect and Intention in Rhetoric and Poetics
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    Chapter 12 Empathy and Love: Types of Textuality and Degrees of Affectivity
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    Chapter 13 “That’s Deep!”: The Role of Being Moved and Feelings of Profundity in the Appreciation of Serious Narratives
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    Chapter 14 The Priority of Form: Kenneth Burke and the Rediscovery of Affect and Rhetoric
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    Chapter 15 Tragedy “Before” Pity and Fear
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    Chapter 16 Narrative and Affect in Epic, Romance, and the Novel
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    Chapter 17 Empathy’s Neglected Cousin: How Narratives Shape Our Sympathy
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    Chapter 18 Laurence Sterne’s “Poor Maria” as Model of Empathic Response
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    Chapter 19 Film and Affect, Theories Entwined: The Case of the War Genre in Saving Private Ryan (Steven Speilberg, 1998)
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    Chapter 20 Medieval English Texts and Affects: Narratives as Tools for Feeling
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    Chapter 21 Rhythmic Cognition in Late Medieval Lyrics: BL MS Harley 2253
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    Chapter 22 A Wild Fable: Affect and Reception of Fernando de Rojas’ Celestina (1499)
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    Chapter 23 Don Quixote’s Affective Thoughts
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    Chapter 24 Descartes, Emotions and the Inner Life of the Subject
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    Chapter 25 “The History and Science of Feeling”: Wordsworth’s Affective Poetics, Then and Now
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    Chapter 26 Kierkegaard’s “Ugly Feelings”
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    Chapter 27 Affect and the Victorian Novel
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    Chapter 28 Affect and Film Music: A Brief History
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    Chapter 29 Affect and Fascism in Lolita
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    Chapter 30 From Bateman to Rat Man: American Psycho ’s Unnatural Selections
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    Chapter 31 Fascism, Torture, and Affect in Postwar Spain: Memoria Histórica Narratives and Audience Empathy
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    Chapter 32 Place-in-Process in Colm Toíbín’s The Blackwater Lightship : Emotion, Self-Identity, and the Environment
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