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Embodiment and Horror Cinema

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Cover of 'Embodiment and Horror Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Darkness into Light: An Introduction to the Four Tissue Types of Horror Cinema
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    Chapter 2 Elbows and Assholes: The Anal Work Ethic in Alfred Hitchcock’s Psycho
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    Chapter 3 Spectral Filtering: Smart Television on the “Silver Screen” in Gore Verbinski’s The Ring
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    Chapter 4 The Red Scare: Marxism, Menstruation, and Stuart Rosenberg’s The Amityville Horror
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    Chapter 5 Grindhouse Ago-Go: Sounding the Collagenous Commons of Rob Zombie’s The Lords of Salem
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    Chapter 6 Spheres of Orientation: On Why Don Coscarelli’s Phantasm Series Is More Cerebral than One Might Think
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    Chapter 7 The Alllusion: Intelligent Machines, Ethical Turns, and Oren Peli’s Paranormal Activity
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    Chapter 8 Monster Mishmash: Icon, Intertext, and Integument in Tobe Hooper’s The Texas Chain Saw Massacre
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    Chapter 9 “Little Children, It is the Last Time”: The Ovolutionary Trees of Lars Von Trier’s Antichrist
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    Chapter 10 Conclusion
Attention for Chapter 8: Monster Mishmash: Icon, Intertext, and Integument in Tobe Hooper’s The Texas Chain Saw Massacre
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Chapter title
Monster Mishmash: Icon, Intertext, and Integument in Tobe Hooper’s The Texas Chain Saw Massacre
Chapter number 8
Book title
Embodiment and Horror Cinema
Published by
Palgrave Macmillan, New York, January 2014
DOI 10.1057/9781137404961_8
Book ISBNs
978-1-349-48753-0, 978-1-137-40496-1
Authors

Larrie Dudenhoeffer

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