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The Aesthetic Discourse of the Arts

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Cover of 'The Aesthetic Discourse of the Arts'

Table of Contents

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    Book Overview
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    Chapter 1 The Creative Impulse and the Aesthetic Discourse of the Arts
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    Chapter 2 Breaking the Frame: Transgression and Transformation in Giulio Romano’s Sala Dei Giganti
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    Chapter 3 The Nineteenth-Century Landscape and Twentieth-Century Space: Traumatic Loss or Trace of Memory?
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    Chapter 4 Alechinsky, Cobra and the Book
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    Chapter 5 Aspiring to the Condition of Music: Hardy and his Art from the 1840s to the 1890s
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    Chapter 6 Counterpoint in Print: Okot P’Bitek’s Song of Lawino and Song of Ocol
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    Chapter 7 Semiotics and Musical Choice: “Beyond Analysis” Revisited
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    Chapter 8 When is a Work of Music Real?
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    Chapter 9 Machine-Time, Passion-Time, and Time that Trembles: Debussy and Baudelaire
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    Chapter 10 Baroque and Classical Aesthetic Visions
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    Chapter 11 To Consociate and Foster the Self
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    Chapter 12 Inanimorata: The Dread of Things
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    Chapter 13 Musical and Visual Encounters: An Investigation of the Aesthetic Experience
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    Chapter 14 “ We Need Not Fear ” Expressivity and Silence in the Early Work of John Cage
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    Chapter 15 Berlioz’s Programme and Proust’s Sonate : Parallel Quests to Bridge the Gaps in Musico-Literary Expression
Attention for Chapter 4: Alechinsky, Cobra and the Book
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Summary
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Chapter title
Alechinsky, Cobra and the Book
Chapter number 4
Book title
The Aesthetic Discourse of the Arts
Published by
Springer, Dordrecht, January 2000
DOI 10.1007/978-94-011-4263-2_4
Book ISBNs
978-9-40-105847-6, 978-9-40-114263-2
Authors

Renèe Riese Hubert

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