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The Palgrave Handbook of Contemporary Irish Theatre and Performance

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Cover of 'The Palgrave Handbook of Contemporary Irish Theatre and Performance'

Table of Contents

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    Book Overview
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    Chapter 1 Introductions/Orientations
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    Chapter 2 The Mainstream: Problematising and Theorising
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    Chapter 3 The Theatre Royal: Dublin
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    Chapter 4 The Politics of Performance: Theatre in and about Northern Ireland
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    Chapter 5 The Literary Tradition in the History of Modern Irish Drama
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    Chapter 6 #WakingTheFeminists
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    Chapter 7 Live Art in Ireland
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    Chapter 8 Gestures of Resistance: Dance in 1990s Ireland
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    Chapter 9 Contemporary Theatre in the Irish Language
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    Chapter 10 Theatre for Young Audiences in Ireland
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    Chapter 11 Performance in the Community: Amateur Drama and Community Theatre
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    Chapter 12 Performing Politics: Queer Theatre in Ireland, 1968–2017
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    Chapter 13 Long Flame in the Hideous Gale: The Politics of Irish Popular Performance 1950–2000
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    Chapter 14 Other Theatres
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    Chapter 15 Independent Theatre and New Work
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    Chapter 16 Funding, Sponsorship and Touring: Causing a Co-Motion
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    Chapter 17 New Century Theatre Companies: From Dramatist to Collective
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    Chapter 18 The Joyful Mysteries of Comedy
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    Chapter 19 The Lambert Theatre and Puppetry Redefined
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    Chapter 20 Scenic Transitions: From Drama to Experimental Practices in Irish Theatre
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    Chapter 21 Key Moments and Relationships: Working with Pat Kinevane
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    Chapter 22 Irish Cinema and Theatre: Adapting to Change
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    Chapter 23 Actor Training in Ireland Since 1965
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    Chapter 24 Irish Theatre: A Designer’s Theatre
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    Chapter 25 Props to the Abbey Prop Man
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    Chapter 26 Irish Theatre: An Actor’s Theatre
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    Chapter 27 The Figurative Artist & ÚNA’N’ANU
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    Chapter 28 Irish Theatre: A Director’s Theatre
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    Chapter 29 In the Wake of Olwen Fouéré’s riverrun
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    Chapter 30 Irish Theatre: A Writer’s Theatre
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    Chapter 31 The Making of Mainstream
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    Chapter 32 Participatory Performance: Spaces of Creative Negotiation
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    Chapter 33 Other Spaces (Non-theatre Spaces)
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    Chapter 34 Irish Plays in Other Places: Royal Court, RSC, Washington and Berlin
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    Chapter 35 Ripping Up the Original?: Fictional Adaptations in Contemporary Irish Theatre
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    Chapter 36 Circuitous Pathways: Marina Carr’s Labyrinth of Feminist Form in the US World Premiere of Phaedra Backwards
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    Chapter 37 Being Intercultural in Irish Theatre and Performance
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    Chapter 38 Once Upon a Time in the Life of Arambe: A Personal Reflection
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    Chapter 39 Intercultural Arrivals and Encounters with Trauma in Contemporary Irish Drama
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    Chapter 40 Dramaturgical Complicity: Representing Trauma in Brokentalkers’ The Blue Boy
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    Chapter 41 Between the City and the Village: Liminal Spaces and Ambivalent Identities in Contemporary Irish Theatre
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    Chapter 42 Verse in Twenty-First Century Irish Theatre
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    Chapter 43 The Gate Theatre on the Road: O’Casey, Pinter and Friel
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    Chapter 44 Festivals and Curation: What Is a Festival For?
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    Chapter 45 Interart Relations and Self-Reflexivity in Contemporary Irish Drama
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    Chapter 46 “Contempt of Flesh”: Adventures in the Uncanny Valley—Stacey Gregg’s Override
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    Chapter 47 The Dance of Affect in Contemporary Irish Dance Theatre
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    Chapter 48 Artistic Vision and Regional Resistance: The Gods Are Angry, Miss Kerr and the Red Kettle Theatre Company, a Case Study
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    Chapter 49 Cultural Materialism and a Class Consciousness?
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    Chapter 50 The Utilization of Domestic Space in the Reflection of Social and Economic Struggles of Modern Living in Conor McPherson’s New Translation of The Nest
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    Chapter 51 Audiences: Immersive and Participatory
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    Chapter 52 Sounding Affect in Pan Pan Theatre’s Adaptation of All That Fall
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    Chapter 53 Music in Irish Theatre: The Sound of the People
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    Chapter 54 Sightings of Comic Dexterity
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    Chapter 55 Theatre as Memory: Acts of Remembering in Irish Theatre
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    Chapter 56 Staging a Response: No Escape and the Rise of Documentary Theatre in Ireland
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    Chapter 57 Children of the Revolution: 1916 in 2016
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    Chapter 58 Postfeminism and Ethical Issues in Four Post-Celtic Tiger Irish Plays by Women
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    Chapter 59 Reflections on Bernard Shaw and the Twenty-First Century Dublin Stage
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    Chapter 60 “Endless Art”: The Contemporary Archive of Performance
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Title
The Palgrave Handbook of Contemporary Irish Theatre and Performance
Published by
Palgrave Macmillan UK, January 2018
DOI 10.1057/978-1-137-58588-2
ISBNs
978-1-137-58587-5, 978-1-137-58588-2
Editors

Eamonn Jordan, Eric Weitz

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Mendeley readers

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Geographical breakdown

Country Count As %
Unknown 2 100%

Demographic breakdown

Readers by professional status Count As %
Other 1 50%
Unknown 1 50%
Readers by discipline Count As %
Arts and Humanities 1 50%
Computer Science 1 50%