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Medieval Afterlives in Popular Culture

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Cover of 'Medieval Afterlives in Popular Culture'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Now and Then
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    Chapter 2 The YouTube Prioress: Anti-Semitism and Twenty-First Century Participatory Culture
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    Chapter 3 Animated Conversations in Nottingham: Disney’s Robin Hood (1973)
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    Chapter 4 Virginia Woolf’s Middle Ages
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    Chapter 5 Dario Fo’s Mistero Buffo and the Left-Modernist Reclamation of Medieval Popular Culture
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    Chapter 6 Acephalic History: A Bataillian Reading of Monty Python and the Holy Grail
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    Chapter 7 Medievalism and Periodization in Frozen River and The Second Shepherds’ Play : Environment, Class, Miracle
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    Chapter 8 Time Travel, Pulp Fictions, and Changing Attitudes Toward the Middle Ages: Why You Can’t Get Renaissance on Somebody’s Ass
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    Chapter 9 H. P. Lovecraft’s “Unnamable” Middle Ages
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    Chapter 10 Confession, Contrition, and the Rhetoric of Tears: Medievalism and Reality Television
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    Chapter 11 Robin Hood, Frenched
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    Chapter 12 Brief Encounters: Arthur’s Epic Journey in Antoine Fuqua’s King Arthur (2005)
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    Chapter 13 “My Other World”: Historical Reflections and Refractions in Modern Arthurian Fantasy
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    Chapter 14 Queer Origins, Deformed Lines: Seeding the Future in Torchwood’s “Children of Earth”
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    Chapter 15 The Medieval Entertainment Channel: The Shrek Quartet
Attention for Chapter 3: Animated Conversations in Nottingham: Disney’s Robin Hood (1973)
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Chapter title
Animated Conversations in Nottingham: Disney’s Robin Hood (1973)
Chapter number 3
Book title
Medieval Afterlives in Popular Culture
Published by
Palgrave Macmillan, New York, January 2012
DOI 10.1057/9781137105172_3
Book ISBNs
978-1-349-34085-9, 978-1-137-10517-2

Andrew Lynch