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Margaret Atwood: Writing and Subjectivity

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Cover of 'Margaret Atwood: Writing and Subjectivity'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Living on the Edges: Constructions of Post-Colonial Subjectivity in Atwood’s Early Poetry
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    Chapter 3 From ‘Places, Migrations’ to The Circle Game : Atwood’s Canadian and Female Metamorphoses
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    Chapter 4 Nearer by Far: The Upset ‘I’ in Margaret Atwood’s Poetry
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    Chapter 5 Surfacing : Separation, Transition, Incorporation
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    Chapter 6 Margaret Atwood’s Surfacing : Strange Familiarity
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    Chapter 7 Margaret Atwood’s Lady Oracle : Writing against Notions of Unity
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    Chapter 8 Hope against Hopelessness: Margaret Atwood’s Life Before Man
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    Chapter 9 Versions of History: The Handmaid’s Tale and its Dedicatees
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    Chapter 10 Gender as Genre: Atwood’s Autobiographical ‘I’
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    Chapter 11 Cat’s Eye : Elaine Risley’s Retrospective Art
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    Chapter 12 Gender and Narrative Perspective in Margaret Atwood’s Stories
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    Chapter 13 ‘Yet I Speak, Yet I Exist’: Affirmation of the Subject in Atwood’s Short Stories
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    Chapter 14 Interpreting and Misinterpreting ‘Bluebeard’s Egg’: A Cautionary Tale
Attention for Chapter 5: Surfacing : Separation, Transition, Incorporation
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Chapter title
Surfacing : Separation, Transition, Incorporation
Chapter number 5
Book title
Margaret Atwood: Writing and Subjectivity
Published by
Palgrave Macmillan, London, January 1994
DOI 10.1007/978-1-349-23282-6_5
Book ISBNs
978-0-333-61181-4, 978-1-349-23282-6
Authors

David Ward, Ward, David

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