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The Precarious in the Cinemas of the Americas

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Cover of 'The Precarious in the Cinemas of the Americas'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Forms of the Precarious in the Cinemas of the Americas
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    Chapter 2 Beyond Documentary?: Archives, Absences, and Rethinking Mexican “Nonfiction” Film, c. 1935–1955
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    Chapter 3 Precarious Images: Media and Historicity in Pablo Larraín’s No
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    Chapter 4 The Future’s Reverse: Dystopia and Precarity in Adirley Queirós’s Cinema
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    Chapter 5 The Never-Ending Movie: Precariousness and Self-reflexivity in Contemporary Argentine Cinema
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    Chapter 6 Narrating Precariousness in Cuba Beyond Havana and the ICAIC: The Case of Televisión Serrana’s Ariagna Fajardo and ¿A dónde vamos?
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    Chapter 7 Precariousness in Contemporary Venezuelan Filmmaking: Pelo malo and Brecha en el silencio
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    Chapter 8 The Politics of Precariousness and Resilience in Contemporary Colombian Films
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    Chapter 9 Portfolio Careers and a New Common Cause: The Conditions for Screen Workers in Peru
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    Chapter 10 Rethinking Contemporary Ecuadorian Cinema
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    Chapter 11 Bolivian Indigenous Film and the Aesthetics of the Precarious
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    Chapter 12 Indigenous Canadian Cinemas: Negotiating the Precarious
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    Chapter 13 Showcasing the Precarious: Paraguayan Images in the Film Festival Circuit
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    Chapter 14 Pantelion: Neoliberalism and Media in the Age of Precarization
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The Precarious in the Cinemas of the Americas
Published by
Springer International Publishing, July 2018
DOI 10.1007/978-3-319-76807-6
978-3-31-976806-9, 978-3-31-976807-6

Burucúa, Constanza, Sitnisky, Carolina

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Mendeley readers

The data shown below were compiled from readership statistics for 5 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 5 100%

Demographic breakdown

Readers by professional status Count As %
Student > Master 2 40%
Professor 1 20%
Unknown 2 40%
Readers by discipline Count As %
Arts and Humanities 3 60%
Unknown 2 40%