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Negation, Critical Theory, and Postmodern Textuality

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Cover of 'Negation, Critical Theory, and Postmodern Textuality'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Negation, Critical Theory, and Postmodern Textuality
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    Chapter 2 Deconstruction and Negative Meaning in Medieval Mysticism
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    Chapter 3 “In No Recognizable Way” The Tempest
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    Chapter 4 “My Real Smash”: Elenctic Negation in Henry James’s The Ambassadors
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    Chapter 5 “Where Dream used to Collide with its Reality”: The Apocalyptic Space of Negation in García Lorca’s Poet in New York
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    Chapter 6 Nothing Doing: The Repudiation of Action in Beckett’s More Pricks Than Kicks
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    Chapter 7 The Shadow Life: Negation, Nihilism, and Insanity in Thomas Bernhard’s Correction
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    Chapter 8 Beyond Negation: Paradoxical Affirmation in Whitman’s Third Edition
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    Chapter 9 Forster’s Ghosts: A Passage to India and the Emptying of Narrative
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    Chapter 10 Putting on the Feminine: Gender and Negativity in Frankenstein and the Handmaid’s Tale
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    Chapter 11 Negation and the Evil Eye: A Reading of Camera Lucida
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    Chapter 12 “Theres More Nothing to Say”: Unspeaking Douglas Barbour’s “Story for a Saskatchewan Night”
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    Chapter 13 Monstrosity, Illegibility, Denegation: de Man, Nichol, and the Resistance to Postmodernism
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    Chapter 14 Derrida and Dōgen: Denegation and the Liberation of Discriminating Thought
Attention for Chapter 2: Deconstruction and Negative Meaning in Medieval Mysticism
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Chapter title
Deconstruction and Negative Meaning in Medieval Mysticism
Chapter number 2
Book title
Negation, Critical Theory, and Postmodern Textuality
Published by
Springer, Dordrecht, January 1994
DOI 10.1007/978-94-015-8291-9_2
Book ISBNs
978-9-04-814403-7, 978-9-40-158291-9
Authors

David Thomson

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