Indonesian
Hebrew
ג'ודית גוטייה
Cited by user Barak a on
English
English
The Use of Asian Theatre for Modern Western Theatre
Overview of attention for book
Table of Contents
-
Altmetric BadgeBook Overview
-
Altmetric BadgeChapter 1 Introduction: The Displaced Mirror
-
Altmetric BadgeChapter 2 International Dramatic Prospecting: Aurélien Lugné-Poe’s Use of Asian Dramas
-
Altmetric BadgeChapter 3 “In Our Two Selves”: Adolphe Appia and Gordon Craig on Japanese Theatre
-
Altmetric BadgeChapter 4 “Sea-worthy must put to sea”: W. B. Yeats’s “Nō” and the Japanese Model
-
Altmetric BadgeChapter 5 “Free Transposition”: The Use of Nō by Jacques Copeau and Suzanne Bing
-
Altmetric BadgeChapter 6 Theatre of Transposition: Charles Dullin and East Asian Theatre
-
Altmetric BadgeChapter 7 “IT IS WE WHO ARE SPEAKING”: Antonin Artaud and Balinese Theatre
-
Altmetric BadgeChapter 8 “Welding the Unweldable”: Vsevolod Meyerhold’s Refraction of Japanese Theatre
-
Altmetric BadgeChapter 9 How Does the Billy-Goat Produce Milk? Sergei Eisenstein’s Disintegration and Reconstitution of Kabuki Theatre
-
Altmetric BadgeChapter 10 “The ‘Asiatic’ Model”: The Brechtian Art of Refunctioning of Japanese (Asian) Theatre
-
Altmetric BadgeChapter 11 Conclusion: A Haunting Legacy