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From Sounds to Music and Emotions

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Cover of 'From Sounds to Music and Emotions'

Table of Contents

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    Book Overview
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    Chapter 1 The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music
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    Chapter 2 Emotion in Motion: A Study of Music and Affective Response
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    Chapter 3 Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates
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    Chapter 4 Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes
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    Chapter 5 Perceptual Characteristic and Compression Research in 3D Audio Technology
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    Chapter 6 Intuitive Control of Rolling Sound Synthesis
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    Chapter 7 EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data
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    Chapter 8 Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds
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    Chapter 9 Auditory Sketches: Sparse Representations of Sounds Based on Perceptual Models
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    Chapter 10 The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features
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    Chapter 11 The Intervalgram: An Audio Feature for Large-Scale Cover-Song Recognition
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    Chapter 12 Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features
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    Chapter 13 Music Emotion Recognition: From Content- to Context-Based Models
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    Chapter 14 Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons
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    Chapter 15 Analyzing the Perceptual Salience of Audio Features for Musical Emotion Recognition
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    Chapter 16 Sample Identification in Hip Hop Music
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    Chapter 17 Music Similarity Evaluation Using the Variogram for MFCC Modelling
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    Chapter 18 Automatic String Detection for Bass Guitar and Electric Guitar
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    Chapter 19 Using Oracle Analysis for Decomposition-Based Automatic Music Transcription
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    Chapter 20 The Influence of Music on the Emotional Interpretation of Visual Contexts
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    Chapter 21 The Perception of Auditory-Visual Looming in Film
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    Chapter 22 Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series
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    Chapter 23 Structural Similarity Based on Time-Span Tree
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    Chapter 24 Subject and Counter-Subject Detection for Analysis of the Well-Tempered Clavier Fugues
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    Chapter 25 Market-Based Control in Interactive Music Environments
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    Chapter 26 (Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour
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    Chapter 27 Multimodal Analysis of Piano Performances Portraying Different Emotions
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    Chapter 28 Focal Impulses and Expressive Performance
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    Chapter 29 Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control
Attention for Chapter 28: Focal Impulses and Expressive Performance
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Chapter title
Focal Impulses and Expressive Performance
Chapter number 28
Book title
From Sounds to Music and Emotions
Published in
Lecture notes in computer science, January 2013
DOI 10.1007/978-3-642-41248-6_28
Book ISBNs
978-3-64-241247-9, 978-3-64-241248-6
Authors

Ito, John Paul, John Paul Ito

Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 2 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 2 100%

Demographic breakdown

Readers by professional status Count As %
Professor 1 50%
Student > Bachelor 1 50%
Readers by discipline Count As %
Arts and Humanities 1 50%
Psychology 1 50%