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Performing Dream Homes

Overview of attention for book
Cover of 'Performing Dream Homes'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Welcome Home
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    Chapter 2 “‘The History of America Is the History of Private Property’: The Politics of Home in Clybourne Park and Beneatha’s Place ”
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    Chapter 3 Home as an Activist and Feminist Stage: Women’s Performative Agency in the Drama of Susan Glaspell
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    Chapter 4 Home Games: Contesting Domestic Geographies in Marie Jones’s A Night in November
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    Chapter 5 Making Room(s): Staging Plays About Women and Houses
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    Chapter 6 Staging Recovery as Home Work in Rachel’s House
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    Chapter 7 The Making of “Attawapiskat Is No Exception”: Positions, Implications, and Affective Responses
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    Chapter 8 The Genius of a House: Grey Towers as Nineteenth-Century Stage for Twentieth-Century Conservationism
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    Chapter 9 Pitching Home: Medicine Shows and the Performance of the Domestic in Southern Appalachia
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    Chapter 10 Nostalgic Cartography: Performances of Hometown by Pittsburgh’s Squonk Opera and San Francisco’s Magic Bus
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    Chapter 11 Coda: Home(less)ness
Attention for Chapter 2: “‘The History of America Is the History of Private Property’: The Politics of Home in Clybourne Park and Beneatha’s Place ”
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Citations

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Chapter title
“‘The History of America Is the History of Private Property’: The Politics of Home in Clybourne Park and Beneatha’s Place ”
Chapter number 2
Book title
Performing Dream Homes
Published by
Palgrave Macmillan, Cham, January 2019
DOI 10.1007/978-3-030-01581-7_2
Book ISBNs
978-3-03-001580-0, 978-3-03-001581-7
Authors

Jocelyn L. Buckner, Buckner, Jocelyn L.

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 1 Mendeley reader of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 1 100%

Demographic breakdown

Readers by professional status Count As %
Unspecified 1 100%
Readers by discipline Count As %
Unspecified 1 100%

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