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Non-Representational Theory and the Creative Arts

Overview of attention for book
Cover of 'Non-Representational Theory and the Creative Arts'

Table of Contents

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    Book Overview
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    Chapter 1 Creative Practice and the Non-Representational
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    Chapter 2 Geo/Graphic Design
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    Chapter 3 Geologic Landscape: A Performance and a Wrecked Mobile Phone
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    Chapter 4 Micro-Geographies of the Studio
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    Chapter 5 Making, Knowing and Being Made: Hand-Stitching Beyond Representation
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    Chapter 6 Queerly Feeling Art in Public: The Gay Liberation Mo(nu)ment
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    Chapter 7 Affecting Objects: The Minor Gesture Within a Performative, Artistic Research Enquiry
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    Chapter 8 Circadian Rhythms, Sunsets, and Non-Representational Practices of Time-Lapse Photography
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    Chapter 9 “Call That Art? I Call It Bad Eyesight”: Seeing or Not Seeing in the Context of Responsive Art Practice
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    Chapter 10 Forward Back Together, and the Materialities of Taking Part
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    Chapter 11 Where Does ‘Your’ Space End and the Next Begin? Non-Representational Geographies of Improvised Performance
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    Chapter 12 Making Theatre That Matters: Troubling Subtext, Motive and Intuition
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    Chapter 13 Creativity, Labour and Captain Cook’s Cottage: From Great Ayton to Fitzroy Gardens
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    Chapter 14 Material Conditions in the Post-Human City
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    Chapter 15 Attuning to the Geothermal Urban: Kinetics, Cinematics, and Digital Elementality
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    Chapter 16 Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body
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    Chapter 17 Interlude: Supervising
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    Chapter 18 Audio Recording as Performance
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    Chapter 19 Psy(co)motion: Anti-production and Détournement in Affective Musical Cartographies
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    Chapter 20 Walk with Me
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    Chapter 21 Imaginal Travel: An Expedition in Fine Art Practice in Search of the Loneliest Palm
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    Chapter 22 Fragments (Formerly Tales from the Asylum)
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    Chapter 23 On Edge: Writing Non-Representational Journeys
Overall attention for this book and its chapters
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Mentioned by

1 blog
14 tweeters

Readers on

16 Mendeley
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Non-Representational Theory and the Creative Arts
Published by
Springer Singapore, January 2019
DOI 10.1007/978-981-13-5749-7
978-9-81-135748-0, 978-9-81-135749-7

Candice P. Boyd, Christian Edwardes

Twitter Demographics

The data shown below were collected from the profiles of 14 tweeters who shared this research output. Click here to find out more about how the information was compiled.

Mendeley readers

The data shown below were compiled from readership statistics for 16 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 16 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 7 44%
Lecturer 2 13%
Student > Doctoral Student 1 6%
Student > Master 1 6%
Researcher 1 6%
Other 1 6%
Unknown 3 19%
Readers by discipline Count As %
Social Sciences 7 44%
Arts and Humanities 3 19%
Pharmacology, Toxicology and Pharmaceutical Science 1 6%
Environmental Science 1 6%
Medicine and Dentistry 1 6%
Other 0 0%
Unknown 3 19%