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The Palgrave Handbook of Posthumanism in Film and Television

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Cover of 'The Palgrave Handbook of Posthumanism in Film and Television'

Table of Contents

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    Book Overview
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    Chapter 1 Posthumanism in Film and Television
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    Chapter 2 From DelGuat to ScarJo
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    Chapter 3 ‘Self-Immolation by Technology’: Jean Baudrillard and the Posthuman in Film and Television
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    Chapter 4 Derrida on Screen
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    Chapter 5 Bruno Latour: From the Non-Modern to the Posthuman
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    Chapter 6 Friedrich Nietzsche and the Posthuman/Transhuman in Film and Television
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    Chapter 7 Terminated: The Life and Death of the Cyborg in Film and Television
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    Chapter 8 Of Iron Men and Green Monsters: Superheroes and Posthumanism
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    Chapter 9 Growing Your Own: Monsters from the Lab and Molecular Ethics in Posthumanist Film
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    Chapter 10 Post-Singularity Entities in Film and TV
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    Chapter 11 Chimeras and Hybrids: The Digital Swarms of the Posthuman Image
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    Chapter 12 Androids and the Posthuman in Television and Film
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    Chapter 13 ‘Change for the Machines’? Posthumanism as Digital Sentience
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    Chapter 14 Alive in the Net
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    Chapter 15 Autonomous Fighting Machines: Narratives and Ethics
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    Chapter 16 A Contest of Tropes: Screened Posthuman Subjectivities
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    Chapter 17 Desire and Uncertainty: Representations of Cybersex in Film and Television
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    Chapter 18 At Home In and Beyond Our Skin: Posthuman Embodiment in Film and Television
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    Chapter 19 Constructed Worlds: Posthumanism in Film, Television and Other Cosmopoietic Media
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    Chapter 20 Games, Gamers and Posthumanism
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    Chapter 21 ‘Life’s a bitch, and then you don’t die’: Postmortality in Film and Television
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    Chapter 22 A New Lease on Life: A Lacanian Analysis of Cognitive Enhancement Cinema
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    Chapter 23 Limitless ? There’s a Pill for That: Filmic Representation as Equipment for Living
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    Chapter 24 Posthumans and Democracy in Popular Culture
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    Chapter 25 Negative Feelings as Emotional Enhancement in Cinema: The Case of Ulrich Seidl’s Paradise Trilogy
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    Chapter 26 Biopleasures: Posthumanism and the Technological Imaginary in Utopian and Dystopian Film
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    Chapter 27 Of Posthuman Born: Gender, Utopia and the Posthuman in Films and TV
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    Chapter 28 Sharing Social Context: Is Community with the Posthuman Possible?
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    Chapter 29 Our Posthuman Skin Condition
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    Chapter 30 Muddy Worlds: Re-Viewing Environmental Narratives
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    Chapter 31 Executing Species: Animal Attractions in Thomas Edison and Douglas Gordon
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    Chapter 32 The Sun Never Set on the Human Empire: Haunts of Humanism in the Planet of the Apes Films
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    Chapter 33 Uncanny Intimacies: Humans and Machines in Film
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    Chapter 34 Posthumanous Subjects
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    Chapter 35 Identity: Difficulties, Discontinuities and Pluralities of Personhood
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    Chapter 36 The Final Frontier? Religion and Posthumanism in Film and Television
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    Chapter 37 The Ghost in the Machine: Humanity and the Problem of Self-Aware Information
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    Chapter 38 ‘Trust a Few, Fear the Rest’: The Anxiety and Fantasy of Human Evolution
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    Chapter 39 Onscreen Ontology: Stages in the Posthumanist Paradigm Shift
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    Chapter 40 Object-Oriented Ontology
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Mentioned by

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6 tweeters
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2 Wikipedia pages

Citations

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4 Dimensions

Readers on

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52 Mendeley
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Title
The Palgrave Handbook of Posthumanism in Film and Television
Published by
Palgrave Macmillan UK, September 2015
DOI 10.1057/9781137430328
ISBNs
978-1-349-57701-9, 978-1-137-43032-8, 978-1-137-43031-1
Editors

Michael Hauskeller, Curtis D. Carbonell, Thomas D. Philbeck

Twitter Demographics

The data shown below were collected from the profiles of 6 tweeters who shared this research output. Click here to find out more about how the information was compiled.

Mendeley readers

The data shown below were compiled from readership statistics for 52 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 52 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 13 25%
Student > Master 11 21%
Researcher 6 12%
Student > Bachelor 4 8%
Other 3 6%
Other 8 15%
Unknown 7 13%
Readers by discipline Count As %
Arts and Humanities 17 33%
Social Sciences 16 31%
Psychology 2 4%
Business, Management and Accounting 2 4%
Computer Science 2 4%
Other 5 10%
Unknown 8 15%