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The Films of Arturo Ripstein

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Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Fifty Years in Film I: Ripstein’s Early Years and His Place in Mexican Cinema
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    Chapter 3 Anachronism and Dislocation: Tiempo de morir (1965) Between the Nuevo Cine Mexicano and the Global Western
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    Chapter 4 El castillo de la pureza (1972): A Closed Market Represented by a Closed Home
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    Chapter 5 Marranismo, Allegory, and the Unsayable in Arturo Ripstein’s El Santo Oficio
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    Chapter 6 Becoming “Arturo Ripstein”? On Collaboration and the “Author Function” in the Transnational Film Adaptation of El lugar sin límites (1978)
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    Chapter 7 Fifty Years of Film 2: Accomplices: Arturo Ripstein and Paz Alicia Garciadiego
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    Chapter 8 Deconstructing the Divas: Music in Arturo Ripstein’s El lugar sin límites and La reina de la noche
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    Chapter 9 Mexican Abjection: Lucha Reyes and the Politics of Suffering in La reina de la noche (1994)
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    Chapter 10 Profundo Carmesí : Blood Weddings in Contemporary Mexico
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    Chapter 11 Fifty Years of Film 3: Melodrama in Ripstein’s Films and Garciadiego’s Screenplays
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    Chapter 12 Arturo Ripstein: The Film Auteur in the Age of Neoliberal Production
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    Chapter 13 La perdición de los hombres (2000): Beyond Melodrama and Its Variations
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    Chapter 14 Mothers, Maidens and Machos: Demolishing the Myths of Mexican Melodrama in Principio y fin (1993)
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    Chapter 15 From La Manuela to La Princesa de Jade: Visual Spectacle and the Repetition Compulsion
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The Films of Arturo Ripstein
Published by
Springer International Publishing, November 2019
DOI 10.1007/978-3-030-22956-6
978-3-03-022955-9, 978-3-03-022956-6

Gutiérrez Silva, Manuel, Duno Gottberg, Luis

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