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The Palgrave Handbook of Incarceration in Popular Culture

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Cover of 'The Palgrave Handbook of Incarceration in Popular Culture'

Table of Contents

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    Book Overview
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    Chapter 1 Popular Visions of Incarceration
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    Chapter 2 Unlocking Prisons: Toward a Carceral Taxonomy
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    Chapter 3 Reading Bronson from Deep on the Inside: An Exploration of Prisoners Watching Prison Films
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    Chapter 4 Ear Hustling: Lessons from a Prison Podcast
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    Chapter 5 “O Prison Darkness … Lions in the Cage”: The ‘Peculiar’ Prison Memoirs of Guantánamo Bay
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    Chapter 6 Human Rights Documentary or Plot-Driven Prison Drama? Animation and Nonfiction “Storytelling” in Camp 14: Total Control Zone
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    Chapter 7 How Race and Criminality Are Embodied in Memoir and Film: An Investigation of Jamaa Fanaka and Austin Reed
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    Chapter 8 Taxonomy of Genre: Prison Memoirs by American Men of Color
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    Chapter 9 “Within These Walls”: The History and Themes of Prison-Themed Television Series
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    Chapter 10 Prison on Screen in 1970s Britain
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    Chapter 11 The 1980s Behind Bars: The Punitive System in Prison (1987) and Lock Up (1989)
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    Chapter 12 “So Neglect Becomes Our Ally”: Strategy and Tactics in the Chateau D’If in Kevin Reynolds’ The Count of Monte Cristo
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    Chapter 13 “You’re in Trouble Mate”: Prison and Screen Practice
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    Chapter 14 How Does the Design of the Prison in Paddington 2 (2017) Convey Character, Story and Visual Concept?
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    Chapter 15 How Do American Prisons Handle Disorder? An Examination of the Relevance of Disorder Theories and a Comparison with Popular Media Portrayals
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    Chapter 16 Mediated Representations of Prisoner Experience and Public Empathy
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    Chapter 17 Separating Popular Myth from Empirical Reality: The White-Collar Prison Experience
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    Chapter 18 Club Fed? White-Collar Incarceration in the American Imagination
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    Chapter 19 The Queen Without Kingdom: Vulnerability, Martyrization, Monolingualism and Injury Toward a Quechua-Speaking Woman Imprisoned in Argentina
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    Chapter 20 “We Don’t Recognize Transsexuals … and We’re Not Going to Treat You”: Cruel and Unusual and the Lived Experiences of Transgender Women in US Prisons
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    Chapter 21 Incarceration as a Dated Badge of Honor: The Sopranos and the Screen Gangster in a Time of Flux
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    Chapter 22 Innocence Lost (and Then Found): The Depiction of Wrongful Convictions in Prison Films
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    Chapter 23 The Lord of the Flies in Palo Alto
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    Chapter 24 Bad Teens, Smug Hacks and Good TV: The Success and Legacy of Scared Straight!
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    Chapter 25 Reality TV: Instilling Fear to Avoid Prison
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    Chapter 26 Women Behind Bars: Dissecting Social Constructs Mediated by News and Reality TV
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    Chapter 27 Speculative Punishment, Incarceration, and Control in Black Mirror
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    Chapter 28 Carceral Imaginaries in Science Fiction: Toward a Palimpsestic Understanding of Penality
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    Chapter 29 It’s More Like an Eternal Waking Nightmare from Which There Is No Escape. Media and Technologies as (Digital) Prisons in Black Mirror
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    Chapter 30 Dark Fantasies: The Prisoner and the Futures of Imprisonment
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    Chapter 31 Minority Report, Abjection and Surveillance: Futuristic Control in the Scientific Imaginary
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    Chapter 32 Moral Ambivalence and the Executioner’s Hood: Averting the Retributive Gaze in Dystopian Fiction
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    Chapter 33 Dark Tours: Prison Museums and Hotels
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    Chapter 34 “Pack of Thieves?”: The Visual Representation of Prisoners and Convicts in Dark Tourist Sites
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    Chapter 35 The Legend of Madman’s Hill: Incarceration, Madness and Dark Tourism on the Goldfields
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    Chapter 36 Three Related Danish Narratives: The Film R, the Penal Museum at Horsens and the Replacement Prison of East Jutland
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    Chapter 37 Can Prison Be a Feminist Space?: Interrogating Television Representations of Women’s Prisons
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    Chapter 38 Women in the “Prison Movie” Genre and Carceral Masculinities
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    Chapter 39 Is Yellow the New Orange? The Transnational Phenomenon of Female Prison Dramas
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    Chapter 40 Wentworth and the Politics and Aesthetics of Representing Female Embodiment in Prison
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    Chapter 41 From the Stony Ground Up: The Unique Affordances of the Gaol as “Hub” for Transgressive Female Representations in Women-in-Prison Dramas
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    Chapter 42 The Pleasure Politics of Prison Erotica
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    Chapter 43 Let’s Have Redemption! Women, Religion and Sexploitation on Screen
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    Chapter 44 ‘Are You Woman Enough to Survive?’: Bitch Planet’s Collaborative Critique of the Neo-Liberal Prison-Industrial Complex
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    Chapter 45 Prison on Screen in Italy: From “Shame Therapy” Propaganda to Citizenship Programmes
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    Chapter 46 Ulucanlar from Prison to Museum: Contestation on Memory and the Future in Turkey
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    Chapter 47 In the Name of the Father: (Re)Framing the Guildford Four
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    Chapter 48 Conclusion
Overall attention for this book and its chapters
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Mentioned by

43 tweeters
1 Facebook page

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2 Mendeley
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The Palgrave Handbook of Incarceration in Popular Culture
Published by
Springer International Publishing, January 2020
DOI 10.1007/978-3-030-36059-7
978-3-03-036058-0, 978-3-03-036059-7

Marcus Harmes, Meredith Harmes, Barbara Harmes

Twitter Demographics

The data shown below were collected from the profiles of 43 tweeters who shared this research output. Click here to find out more about how the information was compiled.

Mendeley readers

The data shown below were compiled from readership statistics for 2 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 2 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 1 50%
Lecturer > Senior Lecturer 1 50%
Readers by discipline Count As %
Arts and Humanities 1 50%
Social Sciences 1 50%