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Frames as visual links between paintings and the museum environment: an analysis of statistical image properties

Overview of attention for article published in Frontiers in Psychology, January 2013
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Title
Frames as visual links between paintings and the museum environment: an analysis of statistical image properties
Published in
Frontiers in Psychology, January 2013
DOI 10.3389/fpsyg.2013.00831
Pubmed ID
Authors

Christoph Redies, Franziska Groß

Abstract

Frames provide a visual link between artworks and their surround. We asked how image properties change as an observer zooms out from viewing a painting alone, to viewing the painting with its frame and, finally, the framed painting in its museum environment (museum scene). To address this question, we determined three higher-order image properties that are based on histograms of oriented luminance gradients. First, complexity was measured as the sum of the strengths of all gradients in the image. Second, we determined the self-similarity of histograms of the orientated gradients at different levels of spatial analysis. Third, we analyzed how much gradient strength varied across orientations (anisotropy). Results were obtained for three art museums that exhibited paintings from three major periods of Western art. In all three museums, the mean complexity of the frames was higher than that of the paintings or the museum scenes. Frames thus provide a barrier of complexity between the paintings and their exterior. By contrast, self-similarity and anisotropy values of images of framed paintings were intermediate between the images of the paintings and the museum scenes, i.e., the frames provided a transition between the paintings and their surround. We also observed differences between the three museums that may reflect modified frame usage in different art periods. For example, frames in the museum for 20th century art tended to be smaller and less complex than in the two other two museums that exhibit paintings from earlier art periods (13th-18th century and 19th century, respectively). Finally, we found that the three properties did not depend on the type of reproduction of the paintings (photographs in museums, scans from books or images from the Google Art Project). To the best of our knowledge, this study is the first to investigate the relation between frames and paintings by measuring physically defined, higher-order image properties.

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Geographical breakdown

Country Count As %
Unknown 20 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 5 25%
Student > Master 4 20%
Student > Doctoral Student 2 10%
Researcher 2 10%
Professor 2 10%
Other 3 15%
Unknown 2 10%
Readers by discipline Count As %
Psychology 5 25%
Arts and Humanities 3 15%
Neuroscience 3 15%
Medicine and Dentistry 2 10%
Computer Science 1 5%
Other 3 15%
Unknown 3 15%
Attention Score in Context

Attention Score in Context

This research output has an Altmetric Attention Score of 1. This is our high-level measure of the quality and quantity of online attention that it has received. This Attention Score, as well as the ranking and number of research outputs shown below, was calculated when the research output was last mentioned on 08 November 2013.
All research outputs
#22,350,992
of 24,943,708 outputs
Outputs from Frontiers in Psychology
#26,917
of 33,669 outputs
Outputs of similar age
#261,345
of 292,957 outputs
Outputs of similar age from Frontiers in Psychology
#850
of 969 outputs
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