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A dynamically minimalist cognitive explanation of musical preference: is familiarity everything?

Overview of attention for article published in Frontiers in Psychology, January 2014
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About this Attention Score

  • In the top 25% of all research outputs scored by Altmetric
  • High Attention Score compared to outputs of the same age (92nd percentile)
  • Good Attention Score compared to outputs of the same age and source (79th percentile)

Mentioned by

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24 X users
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2 Facebook pages
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1 Redditor

Citations

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34 Dimensions

Readers on

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81 Mendeley
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Title
A dynamically minimalist cognitive explanation of musical preference: is familiarity everything?
Published in
Frontiers in Psychology, January 2014
DOI 10.3389/fpsyg.2014.00038
Pubmed ID
Authors

Emery Schubert, David J. Hargreaves, Adrian C. North

Abstract

This paper examines the idea that attraction to music is generated at a cognitive level through the formation and activation of networks of interlinked "nodes." Although the networks involved are vast, the basic mechanism for activating the links is relatively simple. Two comprehensive cognitive-behavioral models of musical engagement are examined with the aim of identifying the underlying cognitive mechanisms and processes involved in musical experience. A "dynamical minimalism" approach (after Nowak, 2004) is applied to re-interpret musical engagement (listening, performing, composing, or imagining any of these) and to revise the latest version of the reciprocal-feedback model (RFM) of music processing. Specifically, a single cognitive mechanism of "spreading activation" through previously associated networks is proposed as a pleasurable outcome of musical engagement. This mechanism underlies the dynamic interaction of the various components of the RFM, and can thereby explain the generation of positive affects in the listener's musical experience. This includes determinants of that experience stemming from the characteristics of the individual engaging in the musical activity (whether listener, composer, improviser, or performer), the situation and contexts (e.g., social factors), and the music (e.g., genre, structural features). The theory calls for new directions for future research, two being (1) further investigation of the components of the RFM to better understand musical experience and (2) more rigorous scrutiny of common findings about the salience of familiarity in musical experience and preference.

X Demographics

X Demographics

The data shown below were collected from the profiles of 24 X users who shared this research output. Click here to find out more about how the information was compiled.
Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 81 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
United Kingdom 2 2%
Austria 2 2%
United States 2 2%
Spain 1 1%
Malaysia 1 1%
Unknown 73 90%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 21 26%
Student > Master 12 15%
Student > Bachelor 12 15%
Researcher 11 14%
Student > Doctoral Student 3 4%
Other 8 10%
Unknown 14 17%
Readers by discipline Count As %
Psychology 29 36%
Arts and Humanities 9 11%
Computer Science 8 10%
Social Sciences 5 6%
Neuroscience 4 5%
Other 11 14%
Unknown 15 19%
Attention Score in Context

Attention Score in Context

This research output has an Altmetric Attention Score of 17. This is our high-level measure of the quality and quantity of online attention that it has received. This Attention Score, as well as the ranking and number of research outputs shown below, was calculated when the research output was last mentioned on 20 January 2019.
All research outputs
#1,832,373
of 22,739,983 outputs
Outputs from Frontiers in Psychology
#3,610
of 29,592 outputs
Outputs of similar age
#22,491
of 305,211 outputs
Outputs of similar age from Frontiers in Psychology
#38
of 182 outputs
Altmetric has tracked 22,739,983 research outputs across all sources so far. Compared to these this one has done particularly well and is in the 91st percentile: it's in the top 10% of all research outputs ever tracked by Altmetric.
So far Altmetric has tracked 29,592 research outputs from this source. They typically receive a lot more attention than average, with a mean Attention Score of 12.5. This one has done well, scoring higher than 87% of its peers.
Older research outputs will score higher simply because they've had more time to accumulate mentions. To account for age we can compare this Altmetric Attention Score to the 305,211 tracked outputs that were published within six weeks on either side of this one in any source. This one has done particularly well, scoring higher than 92% of its contemporaries.
We're also able to compare this research output to 182 others from the same source and published within six weeks on either side of this one. This one has done well, scoring higher than 79% of its contemporaries.