↓ Skip to main content
Altmetric
What is this page?
Embed badge
Share
Share on Twitter
Share on Facebook
Share by email
East German cinema : DEFA and film history
Overview of attention for book
Table of Contents
Altmetric Badge
Book Overview
Altmetric Badge
Chapter 1
Introduction
Altmetric Badge
Chapter 2
East German Cinema as State Institution
Altmetric Badge
Chapter 3
Reciprocities and Tensions: DEFA and the East German Entertainment Industry
Altmetric Badge
Chapter 4
A Cultural Legacy: DEFA’s Afterlife
Altmetric Badge
Chapter 5
The Rubble Film, Wolfgang Staudte, and Postwar German Cinema: Die Mörder sind unter uns ( The Murderers Are among Us , Wolfgang Staudte, 1946)
Altmetric Badge
Chapter 6
Fairy Tales And Children’s Films as Eternal Blockbusters: Die Geschichte Vom Kleinen Muck ( The Story of Little Mook , Wolfgang Staudte, 1 953)
Altmetric Badge
Chapter 7
The Gegenwartsfilm , West Berlin as Hostile Other, and East Germany as Homeland: The Rebel Film Berlin—Ecke Schönhauser ( Berlin SchöNhauser Corner , Gerhard Klein, 1957)
Altmetric Badge
Chapter 8
The Birth of DEFA Genre Cinema, East German Sci-fi Films, New Technologies, and Coproduction with Eastern Europe: Der schweigende Stern ( Silent Star , Kurt Maetzig, 1960)
Altmetric Badge
Chapter 9
Film Censorship, the East German Nouvelle Vague , and the “Rabbit Films”: Das Kaninchen bin ich ( The Rabbit Is Me , Kurt Maetzig, 1965)
Altmetric Badge
Chapter 10
Renegade Films, Defa Musicals, and the Genre Cinema: Heißer Sommer ( Hot Summer , Joachim Hasler, 1968)
Altmetric Badge
Chapter 11
More Genre Cinema, the “Red Western,” and Stardom in East Germany: Apachen ( Apaches , Gottfried Kolditz, 1973)
Altmetric Badge
Chapter 12
Gender, Class, and Sexuality: Ending Taboos in Die Legende von Paul und Paula ( The Legend of Paul and Paula , Heiner Carow, 1973)
Altmetric Badge
Chapter 13
DEFA and the Holocaust, the Antifascist Legacy, and International Acclaim: Jakob der Lügner ( Jacob the Liar , Frank Beyer, 1974)
Altmetric Badge
Chapter 14
The Women’s Film, Konrad Wolf, and Defa After the “Biermann Affair”: Solo Sunny (Konrad Wolf, 1980)
Altmetric Badge
Chapter 15
Passed by History: Dystopia, Parable, and Bookend: Die Architekten ( The Architects , Peter Kahane, 1990)
Altmetric Badge
Chapter 16
The Wendeflicks , Jörg Foth, and DEFA after Censorship: Letztes aus der Da-Da-eR ( Latest from the Da-Da-eR , Jörg Foth, 1990)
Overall attention for this book and its chapters
Altmetric Badge
Mentioned by
twitter
1
X user
syllabi
1
institution with syllabi
wikipedia
3
Wikipedia pages
Citations
dimensions_citation
10
Dimensions
Readers on
mendeley
7
Mendeley
Book overview
1. Introduction
2. East German Cinema as State Institution
3. Reciprocities and Tensions: DEFA and the East German Entertainment Industry
4. A Cultural Legacy: DEFA’s Afterlife
5. The Rubble Film, Wolfgang Staudte, and Postwar German Cinema: Die Mörder sind unter uns ( The Murderers Are among Us , Wolfgang Staudte, 1946)
6. Fairy Tales And Children’s Films as Eternal Blockbusters: Die Geschichte Vom Kleinen Muck ( The Story of Little Mook , Wolfgang Staudte, 1 953)
7. The Gegenwartsfilm , West Berlin as Hostile Other, and East Germany as Homeland: The Rebel Film Berlin—Ecke Schönhauser ( Berlin SchöNhauser Corner , Gerhard Klein, 1957)
8. The Birth of DEFA Genre Cinema, East German Sci-fi Films, New Technologies, and Coproduction with Eastern Europe: Der schweigende Stern ( Silent Star , Kurt Maetzig, 1960)
9. Film Censorship, the East German Nouvelle Vague , and the “Rabbit Films”: Das Kaninchen bin ich ( The Rabbit Is Me , Kurt Maetzig, 1965)
10. Renegade Films, Defa Musicals, and the Genre Cinema: Heißer Sommer ( Hot Summer , Joachim Hasler, 1968)
11. More Genre Cinema, the “Red Western,” and Stardom in East Germany: Apachen ( Apaches , Gottfried Kolditz, 1973)
12. Gender, Class, and Sexuality: Ending Taboos in Die Legende von Paul und Paula ( The Legend of Paul and Paula , Heiner Carow, 1973)
13. DEFA and the Holocaust, the Antifascist Legacy, and International Acclaim: Jakob der Lügner ( Jacob the Liar , Frank Beyer, 1974)
14. The Women’s Film, Konrad Wolf, and Defa After the “Biermann Affair”: Solo Sunny (Konrad Wolf, 1980)
15. Passed by History: Dystopia, Parable, and Bookend: Die Architekten ( The Architects , Peter Kahane, 1990)
16. The Wendeflicks , Jörg Foth, and DEFA after Censorship: Letztes aus der Da-Da-eR ( Latest from the Da-Da-eR , Jörg Foth, 1990)
Summary
X
Syllabi
Wikipedia
Dimensions citations
This data is correct as of December 2015 - for more up to date information, please visit
https://opensyllabus.org/
So far, Altmetric has seen this research output assigned in
2
syllabi from
1
institutions on Open Syllabus Project.
Institution
Syllabi count
Course subject areas covered
Nottingham Trent University
2
Unknown