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Writing and Performing Female Identity in Italian Culture

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Cover of 'Writing and Performing Female Identity in Italian Culture'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 The Broken Language of High Poetry: Agency and Emotion in Teresino by Vivian Lamarque
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    Chapter 3 Re-appropriation for a New Symbolic Order: The Search for Identity in the Poetry of Armanda Guiducci, Maria Luisa Spaziani and Oliva Gualtieri Bernardi
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    Chapter 4 Mambo and Maggiorate : Italian Female Stardom in the 1950s
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    Chapter 5 Mina: Narrative and Cinematic Spectacle of the Italian Woman of the 1960s
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    Chapter 6 Beyond the “Male Gaze”—Conceiving the “Fourth” Gaze in La bestia nel cuore
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    Chapter 7 From Fairy Tale to Hysteria: Women in Italian Theater in the Early 1950s
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    Chapter 8 Telling Lives, Staging Silences: Dacia Maraini’s “Biographical” Theater
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    Chapter 9 Staging the (Sur)real World: Soledad Agresti’s Theater of Women
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    Chapter 10 Writing History, Trauma, and the (Dis/Re) Appearance of the Body in Cutrufelli’s La briganta
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    Chapter 11 The Treasure Chest and the Talisman: Writing between Reality and Myth in Maria Giacobbe
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    Chapter 12 Space and Sexuation in the Fin de Siècle Italian Female Narrative
Attention for Chapter 12: Space and Sexuation in the Fin de Siècle Italian Female Narrative
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Summary
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Chapter title
Space and Sexuation in the Fin de Siècle Italian Female Narrative
Chapter number 12
Book title
Writing and Performing Female Identity in Italian Culture
Published by
Palgrave Macmillan, Cham, January 2017
DOI 10.1007/978-3-319-40835-4_12
Book ISBNs
978-3-31-940834-7, 978-3-31-940835-4
Authors

Anna Marchioni Cucchiella

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