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The Latin American Road Movie

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Cover of 'The Latin American Road Movie'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Reconfiguring Precarious Landscapes: The Road Movie in Latin America
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    Chapter 2 Revisiting Modernity Through the Latin American Road Movie
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    Chapter 3 Journey to the Ruins of Modernity: Euforia and 40 días
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    Chapter 4 The Power of Running on Empty: On the Road in Post-Soviet Cuba
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    Chapter 5 Recorriendo las Américas : Cars, Roads, and Latin American Cinema
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    Chapter 6 Lonely Souls in Sólo Dios Sabe by Carlos Bolado: Pastoralism and Syncretic Spirituality in Times of Crisis
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    Chapter 7 Tania Hermida’s Qué tan lejos : Bending Conventions on the Road to Cuenca
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    Chapter 8 Central American Non-belonging: Reading ‘El Norte’ in Cary Fukunaga’s Sin nombre
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    Chapter 9 Decolonizing Maya Border Crossings in El Norte and La Jaula de Oro
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    Chapter 10 Configuring Desire and Social Order in the Contemporary Mexican Youth Road Film
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    Chapter 11 The Contemporary Documentary Road Movie in Latin America: Issues on Mobility, Displacement, and Autobiography
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    Chapter 12 The Contemporary Brazilian Road Movie: Remapping National Journeys on Screen in Viajo porque preciso, volto porque te amo
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    Chapter 13 Inscription and Subversion of the Road Movie in Inés de Oliveira Cézar’s Cassandra (2012)
Attention for Chapter 13: Inscription and Subversion of the Road Movie in Inés de Oliveira Cézar’s Cassandra (2012)
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Chapter title
Inscription and Subversion of the Road Movie in Inés de Oliveira Cézar’s Cassandra (2012)
Chapter number 13
Book title
The Latin American Road Movie
Published by
Palgrave Macmillan, New York, January 2016
DOI 10.1057/978-1-137-58093-1_13
Book ISBNs
978-1-137-59035-0, 978-1-137-58093-1
Authors

Cynthia Tompkins

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