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David Bowie and Romanticism

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Cover of 'David Bowie and Romanticism'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: David Bowie and Romanticism
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    Chapter 2 David Bowie and Romantic Androgyny
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    Chapter 3 Negative Capability in Space: The Romantic Bowieverse
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    Chapter 4 Drug Use and Drug Literature from the Eighteenth Century to David Bowie
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    Chapter 5 Capitalist Co-optation, Romantic Resistance, and Bowie’s Allegorical Performance in Nicolas Roeg’s The Man Who Fell to Earth
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    Chapter 6 Too Late to Be Late Again: David Bowie, the Late 1970s, and Romanticism
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    Chapter 7 Relics of The Future: The Melancholic Romanticism of Bowie’s Berlin Triptych
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    Chapter 8 “Rebel Rebel”: Bowie as Romantic “Type”
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    Chapter 9 The Goblin King, Absurdity, and Nonbinary Thinking
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    Chapter 10 1. Outside as Bowie’s Gothic Technodrama: Fascism and the Irrational Near the Turn of the Millennia
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    Chapter 11 “Blackstar”: David Bowie’s Twenty-First-Century Ars Moriendi
Attention for Chapter 5: Capitalist Co-optation, Romantic Resistance, and Bowie’s Allegorical Performance in Nicolas Roeg’s The Man Who Fell to Earth
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Chapter title
Capitalist Co-optation, Romantic Resistance, and Bowie’s Allegorical Performance in Nicolas Roeg’s The Man Who Fell to Earth
Chapter number 5
Book title
David Bowie and Romanticism
Published by
Palgrave Macmillan, Cham, August 2022
DOI 10.1007/978-3-030-97622-4_5
Book ISBNs
978-3-03-097621-7, 978-3-03-097622-4
Authors

William Levine, Levine, William

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