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Referentiality and the Films of Woody Allen

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Cover of 'Referentiality and the Films of Woody Allen'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Zelig : A Simulated Life
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    Chapter 3 Woody Allen’s Blue Jasmine: A Seductively Scented Flower Performing in a Theatrical Bubble
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    Chapter 4 “Thank God the French exist”: Exploring the Referentiality of the Formal Elements of Film in Deconstructing Harry
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    Chapter 5 Two and a Half: Nostalgia, Modern Parody, and Fellini in Stardust Memories, Radio Days , and To Rome with Love
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    Chapter 6 Oedipus or the Wrecks of the WASP Disguise
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    Chapter 7 Woody Allen and the Absurdity of Human Existence: Origin, Legacy, and Human Agency in God and Mighty Aphrodite
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    Chapter 8 “A full meal with a vitamin pill and extra wheatgerm”: Woody Allen, Dostoevsky, and Existential Morality
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    Chapter 9 “Darling, have you seen my Strindberg book?”: Dialogism as Social Discourse in Match Point
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    Chapter 10 Guitar and Cultural Trespass in Vicky Cristina Barcelona
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    Chapter 11 “Hi Mr. Hemingway”: Time and Space, Travel, and Literary Heritage in Midnight in Paris
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    Chapter 12 Woody and “Woody”: The Making of a Persona
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    Chapter 13 Magical Tricks and Ingmar Bergman: Referentiality in Magic in the Moonlight
Attention for Chapter 2: Zelig : A Simulated Life
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Readers on

mendeley
2 Mendeley
Summary
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Chapter title
Zelig : A Simulated Life
Chapter number 2
Book title
Referentiality and the Films of Woody Allen
Published by
Palgrave Macmillan, London, January 2015
DOI 10.1057/9781137515476_2
Book ISBNs
978-1-137-51546-9, 978-1-137-51547-6
Authors

Britta Feyerabend, Feyerabend, Britta

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 2 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 2 100%

Demographic breakdown

Readers by professional status Count As %
Student > Bachelor 2 100%
Readers by discipline Count As %
Arts and Humanities 1 50%
Social Sciences 1 50%

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