Asian Punches

Chapter 1 Prologue: Late Nineteenth and Twentieth Century Asian Punch Versions and Related Satirical Journals

Chapter 2 The Presence of Punch in the Nineteenth Century

Chapter 3 Punch and Indian Cartoons: The Reception of a Transnational Phenomenon

Chapter 4 The Possibility of Satire: Reading Pratap Narain Misra’s Brāhmaṇ , 1883–1890

Chapter 6 The Punch Tradition in Late Nineteenth Century Bengal: From Pulcinella to Basantak and P $$\tilde{\bar{\rm a}}$$ cu

Chapter 7 Crossing Boundaries: Punch and the Marathi Weekly Hindu Pañca (1870–1909)

Chapter 8 Punch in India: Another History of Colonial Politics?

Chapter 9 Insistent Localism in a Satiric World: Shaykh Naggār’s ‘Reed-Pipe’ in the 1890s Cairene Press

Chapter 10 Abū Nazzāra’s Journey from Victorious Egypt to Splendorous Paris: The Making of an Arabic Punch

Chapter 11 Teodor Kassab’s Adaption of the Ottoman Shadow Theatre Karagöz

Chapter 12 What’s in a Name? Branding Punch in Cairo, 1908

Chapter 13 ‘Punch Pictures’: Localising Punch in Meiji Japan

Chapter 14 ‘ Punch ’s Heirs’ Between the (Battle) Lines: Satirical Journalism in the Age of the Russo-Japanese War of 1904–1905

Chapter 15 Participating in Global Affairs: The Chinese Cartoon Monthly Shanghai Puck

Chapter 16 ‘He’ll Roast All Subjects That May Need the Roasting’: Puck and Mr Punch in Nineteenth-Century China

Chapter 17 Epilogue