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Genre in Asian film and television

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Cover of 'Genre in Asian film and television'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Live or Dead? Televised Theatre and its Audiences in Bali
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    Chapter 3 Law through a Hybrid Genre in Solomon’s Choice : A Case Study of a Reflection on Law Education through Television in Korea
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    Chapter 4 Eyes of the Other: The Role of Chinese Women through the Lens of Documentary Films
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    Chapter 5 Almost Propaganda But Not Quite: Identity, Modernity and the Construction of ‘The Native’ in Gift of Life and Viva Tonal
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    Chapter 6 Between Mainstream and Alternative: Dialect Drama in China
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    Chapter 7 Everything Masala? Genres in Tamil Cinema
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    Chapter 8 Defreezing Notions of the Indian Mythological
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    Chapter 9 The Hindi Horror Film: Notes on the Realism of a Marginal Genre
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    Chapter 10 From Genre Flick to Art Film: Seijun Suzuki’s Branded to Kill and Pistol Opera
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    Chapter 11 (In)Action Film: Genre and Identity in Rashid Nugmanov’s The Needle
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    Chapter 12 The Golden Glow of the Alps: Capitalism, Globalization and Anime ’s Dreams of Europe
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    Chapter 13 The Other and the Neighbour: Negotiating Representations of ‘Asia’ in Bengali Films
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    Chapter 14 Genre as Cultural Whimsy: Taking to the Road in The Bird People in China and Cold Fever
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    Chapter 15 East Asian Pop Culture
Attention for Chapter 4: Eyes of the Other: The Role of Chinese Women through the Lens of Documentary Films
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Chapter title
Eyes of the Other: The Role of Chinese Women through the Lens of Documentary Films
Chapter number 4
Book title
Genre in Asian Film and Television
Published by
Palgrave Macmillan, London, January 2011
DOI 10.1057/9780230301900_4
Book ISBNs
978-1-349-32303-6, 978-0-230-30190-0
Authors

Cecilia J. Pang

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