Chapter 1 Introduction: Imagining the North of England

Chapter 2 Knocking-off Time in the North: Images of the Working Class and History in L.S. Lowry and Mitchell and Kenyon

Chapter 3 Mediating Northern Identities through Visual Heritage: An Unfinished Journey

Chapter 4 To the Cheshire Station: Alan Garner and John Mackenzie’s Red Shift

Chapter 5 Screening South Yorkshire: The Gamekeeper and Looks and Smiles

Chapter 6 Re-reading Edge of Darkness : The Power of Northernness and the ‘Man of Feeling’

Chapter 7 Producing Habitus: ITV Soap Operas and the ‘Northern Powerhouse’

Chapter 9 It’s Grimm Up North: Domestic Obscenity, Assimilation Anxiety and Medical Salvation in BBC Three’s In the Flesh

Chapter 10 Looking West, not South: The Anglo-American Films Agreement and the North on Film, 1948 to 1958

Chapter 11 The North and Europe in 24 Hour Party People and Control

Chapter 12 From North to East: Children and the Spatial Allegory of Entrapment in Ken Loach’s Kes and Csaba Bollók’s Iska’s Journey

Chapter 13 The (Global) Northern Working Class: Engels Revisited