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Animal Horror Cinema

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Cover of 'Animal Horror Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 A History of Animal Horror Cinema
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    Chapter 3 ‘They are a fact of life out here’: The Ecocritical Subtexts of Three Early-Twenty-First-Century Aussie Animal Horror Movies
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    Chapter 4 Polluting and Perverting Nature: The Vengeful Animals of Frogs
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    Chapter 5 Consuming Wildlife: Representations of Tourism and Retribution in Australian Animal Horror
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    Chapter 6 Oil and the (Geo)Politics of Blood: Towards an Eco-Gothic Critique of Nightwing
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    Chapter 7 America, Down the Toilet: Urban Legends, American Society and Alligator
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    Chapter 8 Re-Education as Exorcism: How a White Dog Challenges the Strategies for Dealing with Racism
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    Chapter 9 We Spiders: Spider as the Monster of Modernity in the Big Bug and Nature-on-a-Rampage Film Genres
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    Chapter 10 Concubines and Chameleons: Deconstruction and Consumption in Pu Songling’s and Gordon Chan’s Painted Skin
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    Chapter 11 Frozen, The Grey , and the Possibilities of Posthumanist Horror
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    Chapter 12 Anthropomorphism and the Representation of Animals as Adversaries
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    Chapter 13 Simian Horror in Rise and Dawn of the Planet of the Apes
Attention for Chapter 10: Concubines and Chameleons: Deconstruction and Consumption in Pu Songling’s and Gordon Chan’s Painted Skin
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Chapter title
Concubines and Chameleons: Deconstruction and Consumption in Pu Songling’s and Gordon Chan’s Painted Skin
Chapter number 10
Book title
Animal Horror Cinema
Published by
Palgrave Macmillan, London, January 2015
DOI 10.1057/9781137496393_10
Book ISBNs
978-1-137-49638-6, 978-1-137-49639-3
Authors

Myha T. Do

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