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Silent Film Comedy and American Culture

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Cover of 'Silent Film Comedy and American Culture'

Table of Contents

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    Book Overview
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    Chapter 1 A Brief Chronology of Silent Film Comedy
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    Chapter 2 Introducing American Silent Film Comedy: Clowns, Conformity, Consumerism
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    Chapter 3 A Convention of Crazy Bugs: Mack Sennett and the US’s Immigrant Unconscious
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    Chapter 4 Accelerated Bodies and Jumping Jacks: Automata, Mannequins and Toys in the Films of Charlie Chaplin
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    Chapter 5 Nobody Loves a Fat Man: Roscoe ‘Fatty’ Arbuckle and Conspicuous Consumption in the US of the 1920s
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    Chapter 6 Dizzy Doras and Big-Eyed Beauties: Mabel Normand and the Notion of the Female Clown
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    Chapter 7 Consumerism and Its Discontents: Harold Lloyd and the Anxieties of Capitalism
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    Chapter 8 Buster Keaton and the American South: The First Things and the Last
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    Chapter 9 The Shell-Shocked Silents: Langdon, Repetition-Compulsion and the First World War
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    Chapter 10 Conclusion
Attention for Chapter 6: Dizzy Doras and Big-Eyed Beauties: Mabel Normand and the Notion of the Female Clown
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Chapter title
Dizzy Doras and Big-Eyed Beauties: Mabel Normand and the Notion of the Female Clown
Chapter number 6
Book title
Silent Film Comedy and American Culture
Published by
Palgrave Macmillan, London, January 2013
DOI 10.1057/9781137020253_6
Book ISBNs
978-1-349-43747-4, 978-1-137-02025-3
Authors

Alan Bilton, Bilton, Alan

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