Chapter 1 Introduction: Making a Difference by Making a Noise

Chapter 2 Subcultures, Schools and Rituals: A Case Study of the ‘Bristol Riots’ (1980)

Chapter 3 The Language of the Unheard: Social Media and Riot Subculture/s

Chapter 4 ‘My Manor’s Ill’: How Underground Music Told the Real Story of the UK Riots

Chapter 5 ‘A Different Vibe and a Different Place’: Re-telling the Riots – A Round Table Discussion

Chapter 6 ‘(Today I Met) The Boy I’m Gonna Marry’: Romantic Expectations of Teenage Girls in the 1960s West Midlands

Chapter 7 Agents of Change: Cultural Materialism, Post-Punk and the Politics of Popular Music

Chapter 8 How to Forget (and Remember) ‘The Greatest Punk Rock Band in the World’: Bad Brains, Hardcore Punk and Black Popular Culture

Chapter 9 ‘It Wasnae Just Easterhouse’: The Politics of Representation in the Glasgow Gang Phenomenon, c. 1965–1975

Chapter 11 ‘Silence is Virtual’: Youth Violence, Belonging, Death and Mourning