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Handbook of Recording Engineering

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Cover of 'Handbook of Recording Engineering'

Table of Contents

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    Book Overview
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    Chapter 1 Acoustics in the Modern Studio
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    Chapter 2 Psychoacoustics: How We Hear
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    Chapter 3 Microphones: Basic Principles
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    Chapter 4 Microphones: The Basic Pickup Patterns
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    Chapter 5 Environmental Effects and Departures from Ideal Performance
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    Chapter 6 Microphones: Electronic Performance and the Electrical Interface
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    Chapter 7 Microphone Accessories
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    Chapter 8 Basic Audio Signal Analysis
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    Chapter 9 Recording Consoles, Metering, and Audio Transmission Systems
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    Chapter 10 Monitor Loudspeakers
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    Chapter 11 Analog Magnetic Recording and Time Code
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    Chapter 12 Digital Recording
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    Chapter 13 The Digital Postproduction Environment
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    Chapter 14 Equalizers and Equalization
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    Chapter 15 Dynamics Control
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    Chapter 16 Reverberation and Signal Delay
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    Chapter 17 Special Techniques in Signal Processing
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    Chapter 18 Fundamentals of Stereo Recording
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    Chapter 19 Studio Recording and Production Techniques
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    Chapter 20 Classical Recording and Production Techniques
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    Chapter 21 Surround Sound Recording Techniques
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    Chapter 22 Mixing and Mastering Procedures
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    Chapter 23 Music Editing and Assembly
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    Chapter 24 Recorded Tape Products for the Consumer
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    Chapter 25 Optical Media for the Consumer
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    Chapter 26 The Stereo Long-Playing (LP) Record
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    Chapter 27 Recording Studio Design Fundamentals
Attention for Chapter 14: Equalizers and Equalization
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Chapter title
Equalizers and Equalization
Chapter number 14
Book title
Handbook of Recording Engineering
Published by
Springer, Boston, MA, January 2003
DOI 10.1007/0-387-28471-0_14
Book ISBNs
978-0-387-28470-5, 978-0-387-28471-2