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Screen Production Research

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Cover of 'Screen Production Research'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 A ‘Logical’ Explanation of Screen Production as Method-Led Research
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    Chapter 3 Lights, Camera, Research: The Specificity of Research in Screen Production
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    Chapter 4 The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research
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    Chapter 5 Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact
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    Chapter 6 Using Practitioner-Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice
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    Chapter 7 Ethnography and Screen Production Research
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    Chapter 8 Method in Madness: A Case Study in Practice Research Methods
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    Chapter 9 Cinematography: Practice as Research, Research into Practice
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    Chapter 10 Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary Making in Northeast India
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    Chapter 11 Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary
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    Chapter 12 Peter Kennedy’s The Photographs’ Story: The Dialectical Image as Research
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    Chapter 13 The Naïve Researcher Resisting Methodology: A Ph.D. Experience
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    Chapter 14 Afterword: Tacit Knowledge and Affect—Soft Ethnography and Shared Domains
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