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History, Memory, Performance

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Cover of 'History, Memory, Performance'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Discursive Practices and Narrative Models: History, Poetry, Philosophy
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    Chapter 3 Performing Pasts for Present Purposes: Reenactment as Embodied, Performative History
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    Chapter 4 Minding the Gap: The Choreographer as Hyper-Historian in Oral History-Based Performance
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    Chapter 5 Un/becoming Nomad: Marc Lescarbot, Movement, and Metamorphosis in Les Muses de la Nouvelle France
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    Chapter 6 Group Biography, Montage, and Modern Women in Hooligans and Building Jerusalem
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    Chapter 7 Alexander Pushkin’s Boris Godunov as Epic Theatre
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    Chapter 8 Shakespeare Inside Out: Hamlet as Intertext in the USSR 1934–43
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    Chapter 9 Raoul Wallenberg on Stage — or at Stake? Guilt and Shame as Obstacles in the Swedish Commemoration of their Holocaust Hero
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    Chapter 10 Staging Auschwitz, Making Witnesses: Performances between History, Memory, and Myth
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    Chapter 11 Real Archive, Contested Memory, Fake History: Transnational Representations of Trauma by Lebanese War Generation Artists
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    Chapter 12 Performing Collective Trauma: 9/11 and the Reconstruction of American Identity
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    Chapter 13 Contemporary Brazilian Theatre: Memories of Violence on the Post-Dictatorship Stage
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    Chapter 14 Bent and the Staging of the Queer Holocaust Experience
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    Chapter 15 Partners in Conversation: Ethics and the Emergent Practice of Oral History Performance
Attention for Chapter 8: Shakespeare Inside Out: Hamlet as Intertext in the USSR 1934–43
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Chapter title
Shakespeare Inside Out: Hamlet as Intertext in the USSR 1934–43
Chapter number 8
Book title
History, Memory, Performance
Published by
Palgrave Macmillan, London, January 2015
DOI 10.1057/9781137393890_8
Book ISBNs
978-1-349-48373-0, 978-1-137-39389-0
Authors

Irena R. Makaryk, Makaryk, Irena R.

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