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American–Australian Cinema

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Cover of 'American–Australian Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Where I’m Calling From: An American–Australian Cinema?
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    Chapter 2 Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood
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    Chapter 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life
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    Chapter 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion
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    Chapter 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette’s Anti-Star Persona
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    Chapter 6 Accented Relations: Mad Max on US Screens
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    Chapter 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood
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    Chapter 8 Australian Horror Movies and the American Market
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    Chapter 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook
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    Chapter 10 American Cartel: Block Bookings and the Paramount Plan
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    Chapter 11 The Multiplex Era
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    Chapter 12 “Zest to the jaded movie palate”: Wallace Worsley, Scott R. Dunlap and The Romance of Runnibede
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    Chapter 13 Defining Neverland: P. J. Hogan, J. M. Barrie and Peter Pan in Post-Mabo Australia
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    Chapter 14 Baz Luhrmann’s The Great Gatsby : Telling a National Iconic Story Through a Transnational Lens
Attention for Chapter 10: American Cartel: Block Bookings and the Paramount Plan
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Chapter title
American Cartel: Block Bookings and the Paramount Plan
Chapter number 10
Book title
American–Australian Cinema
Published by
Palgrave Macmillan, Cham, January 2018
DOI 10.1007/978-3-319-66676-1_10
Book ISBNs
978-3-31-966675-4, 978-3-31-966676-1
Authors

Stephen Gaunson

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