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Queer Italia: Same-Sex Desire in Italian Literature and Film

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Cover of 'Queer Italia: Same-Sex Desire in Italian Literature and Film'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Queer Italia: Same-Sex Desire in Italian Literature and Film
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    Chapter 2 The Dead Sea of Sodomy: Giordano da Pisa on Men Who Have Sex With Men
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    Chapter 3 Bibbiena’s Closet: Interpretation and the Sexual Culture of a Renaissance Papal Court
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    Chapter 4 Knots of Desire: Female Homoeroticism in Orlando furioso 25
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    Chapter 5 ACTing UP in the Renaissance:The Case of Benvenuto Cellini
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    Chapter 6 “Nature is a Mother Most Sweet”: Homosexuality in Sixteenth- and Seventeenth-Century Italian Libertinism
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    Chapter 7 Tra(ns)vesting Gender and Genre in Flaminio Scala’s Il (finto) marito
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    Chapter 8 Beauty and the Beast: Lesbians in Literature and Sexual Science from the Nineteenth to the Twentieth Centuries
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    Chapter 9 Desire and Disavowal in Liliana Cavani’s “German Trilogy”
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    Chapter 10 Adapting to Heterocentricity: The Film Versions of Umberto Saba’s Ernesto and Giorgio Bassani’s The Gold-Rimmed Spectacles
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    Chapter 11 Reluctantly Queer: In Search of the Homoerotic Novel in Twentieth-Century Italian Fiction
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    Chapter 12 Secret Wounds:The Bodies of Fascism in Giorgio Bassani’s Dietro la porta
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    Chapter 13 Transitive Gender and Queer Performance in the Novels of Mario Mieli and Vittorio Pescatori
Attention for Chapter 6: “Nature is a Mother Most Sweet”: Homosexuality in Sixteenth- and Seventeenth-Century Italian Libertinism
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Chapter title
“Nature is a Mother Most Sweet”: Homosexuality in Sixteenth- and Seventeenth-Century Italian Libertinism
Chapter number 6
Book title
Queer Italia: Same-Sex Desire in Italian Literature and Film
Published by
Palgrave Macmillan, New York, January 2004
DOI 10.1057/9781403982599_6
Book ISBNs
978-0-312-24026-4, 978-1-4039-8259-9
Authors

Giovanni Dall’Orto, Dall’Orto, Giovanni

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