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Queer Blake

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Cover of 'Queer Blake'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: ‘What is now proved was once, only imagin’d’
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    Chapter 2 Pansexuality (regained)
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    Chapter 3 Blake and the Evolution of Same-Sex Subjectivity
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    Chapter 4 Blake and the Queering of Jouissance
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    Chapter 5 Drawing Lines: Bodies, Sexualities and Performance in The Four Zoas
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    Chapter 6 Anal Blake: Bringing up the Rear in Blakean Criticism
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    Chapter 7 The Body of the Blasphemer
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    Chapter 8 Trannies, Amputees and Disco Queens: Blake and Contemporary Queer Art
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    Chapter 9 ‘Real Acting’: ‘Felpham Billy’ and Grayson Perry Try It On
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    Chapter 10 ‘Fear not/To unfold your dark visions of torment’: Blake and Emin’s Bad Sex Aesthetic
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    Chapter 11 ‘Woes & … sighs’: Fantasies of Slavery in Visions of the Daughters of Albion
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    Chapter 12 ‘The lineaments of… desire’: Blake’s Visions of the Daughters of Albion and Romantic Literary Treatments of Rape
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    Chapter 13 ‘Yet I am an identity/I wish & feel & weep & groan’: Blake’s Sentimentalism as (Peri)Performative
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    Chapter 14 ‘By a False Wife Brought to the Gates of Death’: Blake, Politics and Transgendered Performances
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    Chapter 15 ‘No Boys Work’: Blake, Hayley and the Triumphs of (Intellectual) Paiderastia
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    Chapter 16 ‘Hayley on his Toilette’: Blake, Hayley and Homophobia
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    Chapter 17 ‘My little Cane Sofa and the Bust of Sappho ; : Elizabeth Iremonger and the Female World of Book-Collecting
Attention for Chapter 7: The Body of the Blasphemer
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Chapter title
The Body of the Blasphemer
Chapter number 7
Book title
Queer Blake
Published by
Palgrave Macmillan, London, January 2010
DOI 10.1057/9780230277175_7
Book ISBNs
978-1-349-30433-2, 978-0-230-27717-5
Authors

Martin Myrone, Myrone, Martin